Head of Department
Professor M A Brown
BA (Hons) MA (Rhodes) MA (London) DLitt (Pretoria) ATCL (Trinity College London) CELTA
Tel: +27 12 420 2421
E-mail: [email protected].ac.za
Prof. M. A. Brown, BA(Hons) MA (Rhodes) MA (London), DLitt (Pret), ATCL (Trinity College, London) CELTA (Cambridge), is the Head of Department. Her interests are varied but tend to cluster about lyric poetry, eighteenth-century literature and all forms of the romance from Spenser and Malory to Tolkien, Le Guin and J.K. Rowling. Students who secretly commit poetry or lurk around the science fiction shelves of their local bookshop are welcome! Her DLitt was entitled Memes, magic and the making of meaning in re-visioning fantasy for young adults.
The Romance from Malory to contemporary science fiction, fantasy and children’s literature
2014. "Guilt, guns, girls and ghettos: Adjacent futures in selected post-apartheid fantasies." Tydskrif vir Letterkunde, 51(2), pp. 28-39.
“Light on shades: complex constructions of identity in the poems of Chris Mann”. English Academy Review, 2011, 28(1) May, pp. 64-72.
“The physics of responsibility: alternate worlds and adolescent choices”. Mousaion, 2010, 28(2), pp. 1-13.
“Harry Potter and the reluctant reader”. Mousaion, 2009, 27(2) Special edition. pp. 47-57.
“Towards reclaiming the colonised mind: the liberating fantasies of Duiker and Ihimaera. Papers: Explorations into Children’s Literature, 2008, 18 (2), pp. 35-40.
Between a rock and a hard place: hidden stories and The hidden star. Mousaion, 26 (2), 2008, pp.162-173.
Why are South Africans afraid of tokoloshes? The Lion and the Unicorn, 32 (3), 2008, pp. 260-270.
Ms Lindiwe Mahlangu
Tel: +27 12 420 2421
E-mail: [email protected]
Prof J A Wessels (Professor)
BA (Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA
Tel: +12 420 2421
E-mail: [email protected]
Professor Andries Wessels, BA(Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA (Cambridge) is particularly interested in modernism and modern literature (in particular the work of James Joyce and TS Eliot), Irish literature, comparative literature and translation. His MPhil studies focused on the Modern Period (1880-1960), and his DLitt et Phil was entitled Decadence and resilience: the aristocratic novel in English in the Twentieth Century.
Modernism, issues of national and cultural identity, Irish literature, translation
Some recent publications and papers
2017: By die Afskaffing van Afrikaans as universiteitsvoertaal 2016/2017, poem, published on Litnet, 16 March 2017. https://www.litnet.co.za/die-afskaffing-van-afrikaans-universiteitsvoertaal-20162017/
“Compromising genre in Agatha Christie’s South African detective novel, The Man in the Brown Suit”, Journal of Literary Studies, 33(1), March 2017, pp 1-23.
"Paris as ‘unreal city’: Modernist conceptions in Michiel Heyns’s Invisible Furies",Tydskrif vir Letterkunde, 54 (1), 2017, March 2017, pp. 96-110.
2016: “Cultural polarities in Frances Hodgson Burnett’s children’s books”, Mousaion, 34 (2), November 2016, pp. 67-82.
2014: Familiesonnette, three poems, published in New Contrast, Vol 42:1, 2014, pp.26-27.
“The public, the private and the power of love: decisive tensions in Michiel Heyns’s The Children’s Day”, English in Africa, 39(1), May 2012, pp. 57-72.
“Intertekstualiteit en modernistiese kompleksiteit in Henriette Grové se Linda Joubert-romans”, Tydskrif vir Letterkunde, 48(2), Spring, 2011, pp. 5-22.
“The outsider as insider: the Jewish-Afrikaans poetry of Olga Kirsch”, in Prooftexts [an American journal of Jewish Studies] 29, 2009, University of Indiana, pp. 63-85.
'‘Human kind cannot bear very much reality: Modernist perceptions of time and experience,” inaugural lecture (Chair of English), University of Pretoria, 24 March 2009.
“Die problematisering van die etiese: Deon Meyer se Infanta as ‘hard-boiled’ misdaadroman”, Tydskrif vir Letterkunde, 44(2), Pretoria, Spring 2007, pp. 104-118.
“Marlene van Niekerk se Agaat as inheemse ‘Big House’-roman”, Tydskrif vir Letterkunde,43(2), Pretoria, Spring 2006, pp. 31-45.
“Resolving history: negotiating the past in Molly Keane’s Big House novels”, in Molly Keane: Centenary Essays, edited by Eibhear Walshe and Gwenda Young, Four Courts Press, Dublin, Ireland, 2006:27-35.
Prof D Medalie
BA (Hons) (Witwatersrand) (MPhil) (Oxford) (DPhil) (Oxford)
Tel: +27 12 420 2716
E-mail: [email protected]
Professor D. Medalie, BA(Hons)(Wits) MPhil, DPhil (Oxford) is the Director of the Unit for Creative Writing at the University of Pretoria. He is also a professor in the Department of English, where he teaches Honours courses, supervises Master's and PhD students and is the co-ordinator of the M.A. and PhD programmes.
Prof. Medalie is a novelist, short story writer, anthologist and academic. His teaching and research interests include Modernism and early twentieth century literature; South African literature and Jane Austen.
Prof. Medalie’s second collection of short stories, The Mistress’s Dog (published in 2010 by Picador Africa/ Pan Macmillan) was short-listed in 2011 for the University of Johannesburg Literary Award. The title story was awarded the Thomas Pringle Award by the English Academy of Southern Africa. It was also short-listed for the Caine Prize for African Writing. In addition, it was selected as one of the best twenty short stories of the post-apartheid period and published in 2014 in a collection entitled Twenty in 20.
Early twentieth century literature (especially Modernism), South African literature, creative writing.
2018. ‘Borrowed by the Wind’ (short story). As You Like It: The Gerald Kraak Anthology (Vol. II): African Perspectives on Gender, Social Justice and Sexuality. Auckland Park: Jacana; The Other Foundation.
2017. Recognition: An Anthology of South African Short Stories. Selected and Introduced by David Medalie. Johannesburg: Witwatersrand University Press. 288pp.
2017. ‘“The Line of Maurice: Forster, Hollinghurst and the “Social Fabric”’. English Studies in Africa. Vol 60, no.1. 46-59.
2017. ‘The Secret Knows’ (short story). New Contrast. Vol. 45, Winter 2017.
2016. ‘“Remembering my life under apartheid with fondness”: the memoirs of Jacob Dlamini and Chris van Wyk’. English in Africa. Vol. 43, no.3. 43-60.
2015. ‘At the Dying of Two Centuries: Heart of Darkness and Disgrace’. Outposts of Progress: Joseph Conrad, Modernism and Post-Colonialism. Eds. Gail Fincham, Jeremy Hawthorn and Jakob Lothe. Claremont: UCT Press/ Juta. 72-83.
'‘Myself creating what I saw’: sympathy and solipsism in Jane Austen’s Emma'. English Studies in Africa, 2013, 56: 2, pp.1-13.
“‘To Retrace Your Steps’: The Power of the Past in Post-Apartheid Literature”. English Studies in Africa, 2012, Vol.55, No.1. 3-15.
“The Uses of Nostalgia”. English Studies in Africa, 2010, Vol. 53, No.1. 35-44.
“Alan Paton’s Short Fiction: Authority and Other Quandaries in The Hero of Currie Road”. English in Africa, 2010, Vol. 37, No.2. 57-70.
“Bloomsbury and Other Values”. The Cambridge Companion to E. M. Forster. Ed. David Bradshaw. Cambridge: Cambridge University Press, 2007, 32-46.
“The Cry of Winnie Mandela: Njabulo Ndebele’s Post-Apartheid Novel.” English Studies in Africa, 2006, Vol. 49, No. 2. 51-65.
The Mistress's Dog (Short Stories) Johannesburg: Picador Africa/ Pan Macmillan. 2010. 191pp.
“The Mistress's Dog”. To See the Mountain and Other Stories: The Caine Prize for African Writing 2011. Oxford: New Internationalist Publications. 60-68.
“Brother Out of Darkness”. New Contrast, 2012, Vol. 40, No.2.
Prof C Sandwith
BA (Hons), MA (Natal), PhD (UKZN)
Professor Corinne Sandwith, BA (Hons) (University of Natal) MA (University of Natal) PhD (UKZN), is an Associate Professor in the department. Research interests include a history of reading, readers and cultural debates in early apartheid South Africa with a particular focus on newspapers, debating societies and little magazines. More recent work explores the contemporary public sphere and the South/African postcolony, taking special interest in questions of violence, crime, otherness, gender, sexuality and the body.
South African intellectual history, book history, the South African public sphere, South African and African literature, the postcolony.
Some recent publications and papers:
“History by Paratext: Reading Thomas Mofolo’s Chaka. Journal of Southern African Studies, 2018, 44(3), pp. 471-490.
“The Appearance of the Book: Towards the Reading Lives and Worlds of Black South African Readers” English in Africa, 2018, 45. 1 (April 2018), pp. 11–38.
“The Banality of Violence: Reading the Daily Sun”. In: Tracks and Traces of Violence: The Representation and Memorialisation of Violence in Africa in Art, Literature and Anthropology. Edited by BIGSAS Workgroup Tracks and Traces of Violence. Berlin: Lit Verlag Dr. W. Hopf, 2017, pp. 181-196.
"The Idea of Reading in Early Twentieth Century South Africa. Journal of Southern African Studies, 2016, 42(6), pp. 1095-1108.
"Frailties of the Flesh: Observing the Body in Chimamanda Ngozi Adichie's Purple Hibiscus." Research in African Literatures, 2016, 47(1), pp. 95-108.
World of Letters: Reading Communities and Cultural Debates in Early Apartheid South Africa. Pietermaritzburg: UKZN Press, 2014.
“‘Yours for Socialism’: Communist Cultural Discourse in Early Apartheid South Africa”. Safundi, 2013, 14(3), pp. 283–306.
Africa South: Viewpoints and Perspectives, 1956–1961. Edited by MJ Daymond and Corinne Sandwith. Pietermaritzburg: UKZN Press, 2011.
“Postcolonial Violence: Narrating South Africa, May 2008”. Current Writing, 2010, October 22(2), pp. 60–82.
“‘Entering the Territory of Incitement’: Oppositionality and Africa South.” Social Dynamics, 2009, 35(1), pp 123–136.
“The Work of Cultural Criticism: Re-visiting The South African Opinion.” Alternation, 2008, 15(1), pp. 38–70.
Mr PC Lenahan
BA (Hons) MEd (Rhodes) MPhil (Oxford) CELTA DELTA (Cambridge) DipTEFLA (RSA/Cambridge)
Tel: +27 12 420 4769
E-mail: [email protected]
Mr Patrick Lenahan, BA(Hons) MEd(Rhodes) MPhil(Oxford) DELTA (Cambridge), is a senior lecturer in the Department. His interests and specialist fields are 16th and 17th century literature (including Shakespeare) and TESOL theory, methodology and practice. He is also interested in Thomas Pringle and Olive Schreiner. He is currently completing his doctorate on the work of Thomas Pringle.
Dr C Guldimann
BA Hons, MA (UCT), CELT TEFL (Dublin), Ph.D. (London)
Having lived and worked in 5 countries across the globe, Colette has a keen interest in transnational cultural crossings and how cultural meanings change when forms cross national boundaries. After a Ph.D. thesis tracing Transatlantic exchanges of popular culture between South African Drum magazine and American / African-American media in the 1950s, her current research project focuses on interpretations of popular cultural forms within postcolonial contexts, particularly the postcolonial detective genre in Africa.
Her publications combine a variety of theoretical approaches (postcolonial, feminist and film theory, psychoanalysis, postmodernism, semiotics) to illuminate a diverse range of subjects: Southern African literature, popular culture and contemporary British poetry.
Popular fiction (crime fiction, romance, graphic novels) in South Africa, Africa and Postcolonial contexts; Southern African literature and Media, Colonial and Postcolonial literature, Creative Writing.
Journal articles / papers:
Forensics as a signifier of postcolonial change in South African and Moroccan police procedurals. Presented at Captivating Criminality 3: Crime Fiction, Felony, Fear and Forensics, 23 – 25th June 2016, Corsham Court, Bath Spa University, United Kingdom.
The Protean new South Africa in Deon Meyer's Heart of the Hunter. Scrutiny2: Special issue on South African crime fiction. 19 1 (2014): 80-92.
“Imported from America” or fugitive forgeries? Drum Magazine and black popular culture in apartheid South Africa. In Falola, Toyin & Ngom, Fallou (Eds.) Oral and Written Expressions of African Cultures. Durham: Carolina Academic Press, 2009.
For a full list, please see https://up-za.academia.edu/ColetteGuldimann
Full cv August 2018
Dr R Fasselt
MA (Free University Berlin), PhD (Free University Berlin)
+27 12 420 6809 or +27 12 420 2421
E-mail: [email protected]
Dr Rebecca Fasselt is particularly interested in literary and cultural connections between South Africa and other parts of Africa. Her PhD thesis examined the portrayal of migrants from elsewhere on the African continent in South African literature published after 2000. She is currently working on a comparative project engaging with recent theorisations of contemporary Nigerian and South African literature. Another research focus is on postcolonial novels written in the first-person plural voice.
African literatures, Nigerian third generation writing, postapartheid fiction, postcolonial theory, narratology, Afropolitanism, intra-African migration, gender studies
“Decolonising the Afropolitan: Intra-African Migrations in post-2000 Literature.” Handbook of African Literature. Ed. Moradewun Adejunmobi and Carli Coetzee. London: Routledge. Forthcoming 2018.
Fasselt, Rebecca, Corinne Sandwith and Khulukazi Soldati-Kahimbaara. “The Short Story in South Africa Post-2000: Critical Reflections on a Genre in Transition.” Special Issue on the Short Story in South Africa Post-2000. Journal of Commonwelath Literature (2018). DOI: 10.1177/0021989418778080
“Rewriting Kinship: Trans-African Family Formations and Postcolonial Disillusionment in Niq Mhlongo’s After Tears.” Social Dymanics 43.3 (2017): 470-486. DOI: 10.1080/02533952.2017.1390880
“Making and Unmaking ‘African Foreignness’: African Settings, African Migrants and the Migrant Detective in Contemporary South African Crime Fiction.” Journal of Southern African Studies 42.6 (2016): 1109-1124. DOI: 10.1080/03057070.2016.1253925
“Towards a ‘New Africanity’: Southern Connectivities and Lusofonia in Imraan Coovadia’s Alternate History in The Institute for Taxi Poetry.” Current Writing: Text and Reception in Southern Africa 28.1 (2016): 26-39.
“‘Where to Locate the Self?’ Gendered Hospitality, African Immigration and White Self-Renewal in Nadine Gordimer’s The Pickup.” Journal of Literary Studies 32.2 (2016): 13-36. DOI: 10.1080/02564718.2016.1198153
“(Post)colonial We-Narratives and the ‘Writing Back’ Paradigm: Joseph Conrad’s The Nigger of the Narcissus and Ngũgĩ wa Thiong’o’s A Grain of Wheat.” Poetics Today 37.1 (2016): 155-179. DOI:10.1215/03335372-3452655
“Reassessing Thematic Crossings between South Africa and Nigeria: Postcolonial Leadership and Power in Mandla Langa’s The Lost Colours of the Chameleon and Helon Habila’s Waiting for an Angel.” Ariel: A Review of International English Literature 46.3 (2015): 23-53.
“Nigeria in the Cape: Afropolitanism and Alienation in Yewande Omotoso’s Bom Boy.” Research in African Literatures 46.2 (2015): 119-145.
“A ‘Touch of Africa’: Liberal ‘Bildung’ through an Encounter with African Immigrants in Andrew Brown’s Refuge.” Scrutiny2 20.1 (2015): 128-146. DOI: 10.1080/18125441.2015.1039052
“Towards an ‘Afropolitan Deixis’: Hospitality and ‘You’ and ‘We’ Narration in Phaswane Mpe’s Welcome to Our Hillbrow.” English Studies in Africa 57.2 (2014): 98-114. DOI: 10.1080/00138398.2014.963287
“‘Opening up to the Rest of Africa’?: Continental Connections and Literary (Dis)Continuities in Simão Kikamba’s Going Home and Jonathan Nkala’s The Crossing.” Journal of Literary Studies 30.1 (2014): 70-93. DOI: 10.1080/02564718.2014.887623
For a full list, please see https://up-za.academia.edu/RebeccaFasselt
Dr JA Goedhals
BA (Hons) (Rhodes) MA (Wits) DLitt (UP)
Tel: +27 12 420 2421 or x3985
E-mail: [email protected]
Dr Antony Goedhals, BA (Hons) (Rhodes) MA (Wits) DLitt (UP), is a lecturer in the Department. His teaching and research interests include Anglo-Saxon literature; Medieval literature, particularly Chaucer; the history of the novel, with especial reference to Daniel Defoe; William Blake; Victorian literature and cultural history – particularly the Anglo-American encounter with Buddhism; Lafcadio Hearn; Modernism – especially the novels of Joseph Conrad and the poetry of W. B. Yeats and Wallace Stevens; the novels of J. M. Coetzee. He has completed a PhD on the Victorian writer Lafcadio Hearn.
Goedhals, J. Antony. 2018. Auctour and Auctoritee in Chaucer’s The Book of the Duchess.
Studia Neophilologica. doi:10.1080/00393274.2018.1465848
Goedhals, J. Antony. 2017. ‘Revisioning Reality: Transcending Space and Time in the Buddhist Writings of Lafcadio Hearn’. Scrutiny2: Issues in English Studies in Southern Africa, 22:2, 96-111.
Goedhals, J. Antony. 2015. ‘Lafcadio Hearn's odyssey: a home at the end of the world’. Scrutiny2: Issues in English Studies in Southern Africa, 20:1, 39-53.
Goedhals, J. Antony. 2013. Lafcadio Hearn and George Gould’s ‘Philosophy of Spectacles’: the story of a Buddhist–Christian encounter. In Nicéphore, Anastasia & Brooks, David (eds). Diasporic Identities and Empire: Cultural Contentions and Literary Landscapes (pp. 199 – 212). Newcastle: Cambridge Scholars.
Goedhals, J. Antony. ‘Lafcadio Hearn’s Buddhism: Glimpses of a Secular Salvation’. Paper presented on 10 July 2013 at the AUETSA conference. Grahamstown, South Africa.
Dr C Lavery
Dr Charne Lavery is a lecturer in the Department of English at UP and a Researcher for the Oceanic Humanities for the Global South, WiSER, Wits
Dr N Moonsamy
BADA (Wits), MA (University of Poona, India), MA (Wits), Ph.D (Wits).
Humanities Building 16-23
Tel: (012) 420-4598
Dr Nedine Moonsamy is interested in a host of areas that include literary theory, South African literature, cultural studies, nostalgia, time, postcolonialism, autobiography, photography, film and science fiction in Africa. She is currently working on a monograph entitled A Country Out of Time: an examination of nostalgia and nationalism in contemporary South African Fiction while launching a concurrent research project on science fiction in Africa. Her second project examines how African authors adapt the science fiction genre to suit the continent, its sociopolitical complexities and the nuances of its varying cultural milieus.
Contemporary african literature, nostalgia studies, nationalism, post-apartheid, whiteness, time, temporality, memory, postcolonialism, apocalypse, science fiction, race, gender, utopia, dystopia, futurity, ecology, afrofuturism, technicity.
Mr Georg Nöffke
BA, BA (Hons), MA (Pretoria)
Mr Georg Nöffke, BA (Hons), MA (Pretoria) is interested in twentieth-century and contemporary literature, Modernism, intertextuality, and the work of Ted Hughes, Sylvia Plath and J.M. Coetzee in particular. He has recently completed his MA cum laude which focuses on the intertextual dialogue between Ted Hughes and Sylvia Plath in selected poems.
Ted Hughes, Sylvia Plath, contemporary literature
Some recent publications and papers:
“‘That gallop was practice’: a horse ride as practice run for things to come in Sylvia Plath’s ‘Whiteness I remember’ and Ted Hughes’s ‘Sam’.” English Academy Review, 30: 2, October, 2013, pp. 6-20.
“These super people: the superimposition of Ted Hughes's ‘Brasilia’ on Sylvia Plath's ‘Brasilia’.” Paper presented at Sylvia Plath Symposium, University of Indiana, 2012.
Dr I Noomé
BA (Hons) MA (Pretoria) HED (Unisa) DLitt (Pretoria)
Tel: +27 12 420 3379 / 2421
E-mail: [email protected]
Dr Idette Noomé, BA(Hons) MA(Pretoria) HED(Unisa), DLitt (Pretoria) is a lecturer in the Department. Her MA was entitled Milton's Paradise Lost and Paradise Regained and Klopstock's Messias: A Comparative Study. Her interests include Anglo-Saxon, Middle English, 17th century literature and modern drama. She focuses on comparative literature, translation and specialist editing, for which she has developed under- and postgraduate courses. She is also very interested in children's literature, and has initiated a research project on late 19th and early 20th century children's literature at the Sammy Marks Museum. Her DLitt was entitled Widening readership - A case study of the translation of indigenous law.
Translation studies, plain language, children's literature (L.M. Montgomery, Louisa May Alcott, late 19th and early 20th century literature for girls), Milton, Chaucer
Recent papers and publications:
Noome, Idette. (2018). "The nature of the beast: Pets and people in L.M. Montgomery’s fiction", in L. M. Montgomery and the Matter of Nature(s), Edited ny R. Bode & J. Mitchell, McGill-Queen's University Press.
Noome, Idette. (2018). "Re-membering local African history – translating the biography of Muhlava I of the Vankuna into English." JLS, 34(3):36-56.
Noome, Idette. (2016). "The Marula Tree on the Boundary: Inclusive translation?" 7th Triennial ACLALS conference (Association for Commonwealth Literature and Language Studies, 10-15 July 2016, University of Stellenbosch.
Noome, Idette. (2016). "Translating the Crucifixion: The Dream of the Rood.” 23rd International conference of the Southern African Society for Medieval and Renaissance Studies, 25-28 August 2016, Mont Fleur, Stellenbosch, Imagining Transformation in the Middle Ages and the Renaissance.
"Justice for all? Accountable translations of texts on indigenous law." International Journal for African Renaissance Studies, 2015, 10(2).
“What the little Markses knew about Africa.” English Academy Review, 2006, 23(1): 84-101.
“Top dogs and underdogs: insiders and outsiders in selected girls’ school literature.” Children’s Books and Child Readers, Constructions of Childhood in English Juvenile Fiction. Bimberg, C & Kullmann, T. (eds). Aachen: Shaker Verlag. ISBN 703-8322-5382-3. Pp.115-143. 2006.
(with P.J.H. Titlestad) “D.H. Lawrence at the University of Pretoria.” In D. H. Lawrence Around the World: South African Perspectives (ed. J Phelps). Echoing Green Press. ISBN: 978-0980250114. 2007.
“The language editor/supervisor dilemma.” AUETSA conference: Rebranding English. (Proceedings). UCT Press. (2004):67-75.
“Shaping the Self: A Bildungsroman for girls?” Literator, 2004, 25(2) August, pp. 125-149.
(translation). Machens, Eberhard W. 2009. Platinum, Gold and Diamonds: The Adventure of Hans Merensky’s Discoveries. Pretoria: Protea Book House. ISBN 987-1869-200-6. (Biography, 308 pp).
Ms K T Soldati-Kahimbaara
BA (Hons) (UNITRA) MA (PU for CHE) JSTC (Butterworth College) CELTA
Tel: +27 12 420 3379
E-mail: [email protected]
Johannesburg in Literature; The South African novel in transition 1990 – 2018, alternative sexualities, women's literature
with Rebecca Fasselt and, Corinne Sandwith. “The Short Story in South Africa Post-2000: Critical Reflections on a Genre in Transition.” Special Issue on the Short Story in South Africa Post-2000. Journal of Commonwelath Literature (2018). DOI: 10.1177/0021989418778080
“Johannesburg: city of dreams or dream city?” Trans: Internet - Zeitschrift fur Kulturwissenschaften 18. Nr Juni 2011
“AIDS writing in two South African novels: The Book of the Dead – Kgebetli Moele, and Beauty’s Gift – Sindiwe Magona”, Kritika Kultura, Feb 2012, Issue 18. p 162.
Prof R West-Pavlov
MA (Melb) PhD (Cantab) Doctorat (Lille III) Dr Habil (Cologne)
Prof Russell West-Pavlov, MA (Melb) PhD (Cambridge) Doctorat (Lille III) Dr Habil (Cologne), taught at the University until the middle of 2013. He is currently at the University of Tübingen, but remains a research associate of the Department.
Postcolonial literatures, spatial semiotics, translation studies
'Contextures: inscriptions of urban space in inner-city Berlin.' Space and Culture, 2013, 16:3, pp. 323-344.
'The politics and spaces of voice: Ngugi’s A grain of wheat and Conrad’s Heart of darkness.' Research in African Literatures, 2013, 44:3 (Fall), pp. 160-175.
Temporalities. The New Critical Idiom Series. London and New York, Routledge. ISBN: 978-0-415- 52073-7. 2013.
Treasure, value and signs in Conrad’s Nostromo. In Rainer Emig (Ed). Treasure in Literature and Culture. Universitatsverlag, WINTER: Heidelberg. ISBN 978-3-8253-6202-7. 2013.
Temporalities. London: Routledge, 2012.
Spaces of Fiction / Fictions of Space: Postcolonial Place and Literary DeiXis. Basingstoke: Palgrave Macmilllan, 2010.
“Pedagogical Memory and the Space of the Classroom: Reading Dangarembga’sNervous Conditions”. Scrutiny2: Issues in English in Africa 17:2 (2012): 67-81.
"Maps and the Geography of Violence: Farah’s Maps and Conrad’s Heart of Darkness”, in The New Violent Cartography: Geo-Analysis after the Aesthetic Turn. Ed. Samson Okoth Opondo & Michael J. Shapiro. New York: Routledge, 2012: 15-32.
“Time and Biopolitics in the Settler Colony”. Australian Literary Studies 26:2 (June 2011), 1-19.
Prof. A. Chennells
Professor Anthony Chennells, an internationally renowned scholar of African literature, has been appointed an Extraordinary Professor in the Department of English since 2004. Prof Chennells taught until his retirement at the University of Zimbabwe. He is also a visiting scholar and research associate at the University of California at Santa Cruz.
Colonial and Postcolonial literatures, the British novel
Some recent publications:
"Historical novel or novel history? Michael Cawood Green's For the Sake of Silence.” English Academy Review, 29(1), May 2012, pp. 33-45.
“Inculturated Catholicisms in Chimamanda Adichie's Purple Hibiscus.” English Academy Review, 26(1), June 2012, pp. 265-276.
“Savages and settlers in Dickens: reading multiple centres.” In Jordan & N. Perera (eds.), Global Dickens, Farnham (UK) and Burlington (US): Ashgate (pp. 311-330). 9781409436119. 2012.
“Partisan politics: narrative realism and the rise of the British novel.” Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 148-149.
“Nationalism, memory and history in nineteenth-century Britain: a review essay." Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 86-91.
“Imperialism, reform and the making of Englishness in Jane Eyre.” Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 152-153.
“Inculturated Catholicism’s in Chimamanda Adichie’s Purple Hibiscus.” English Academy Review. 26(1). 2009, pp. 15-26.
Mr Dewald Steyn
BA (Hons) MA (English) (Pret)
Mr Dewald Steyn obtained his Honours degree in 2011 at Pretoria. For the degree, he completed a mini-dissertation on the poetry of John Clare entitled The Romantic Escape Artist: Yearnings for freedom in the asylum poetry of John Clare. He completed his MA thesis, entitled "The Tyrant of the Imagination”: Anthropomorphic representations of Death in selected contemporary and twentieth-century novels, in 2016 cum laude. He is currently completing his doctorate on the poetry of the Victorian author George Meredith. As an aspiring poet(aster), he maintains an interest in poetry of all types, whether free verse or more traditional metrical forms, and has also published his work in New Contrast.
Nineteenth-century literature and literary criticism, poetics, speculative fiction, creative writing, Romanticism
Recent publications and papers:
Steyn, D. M. 2017. “Looking at the Dark Sun: Aspects of Death, War and the Power of Stories in Markus Zusak and Terry Pratchett’s Novels,” Mousaion, 35(2), pp. 28–40.
Steyn, D.M. 2015. “Thomas Lovell Beddoes (1803 – 1849)”. New Contrast. Vol. 42, no.2.
Steyn, D.M. 2017. “A Folie à Deux or Ménage à Quatre? Psychological Breakdown in George Meredith’s Modern Love Sonnet Sequence”. SAVAL conference, 17-18 August , UNISA, Pretoria.
Ms Kirsten Dey
BA Hons, MA (English) (Pret)
Ms Kirsten Dey, BA Hons, MA (Pretoria), is interested in a variety of areas that include Renaissance literature, specifically Shakespeare’s work, Romantic poetry, the work of Emily Dickinson and Walt Whitman, Modernism, and South African short stories. She was awarded the Vice-Chancellor and Principal's medal for the Humanities in 2014. For her Honours degree, she completed a mini-dissertation which explores Shakespeare’s critical engagement with the Elizabethan cult of Petrarchism in his ‘Dark Lady’ sonnets. She has recently completed her MA on Shakespeare’s varying responses to Petrarchism across his works cum laude.
Mr C Naudé
BA (Languages), BA (English Hons) MA (English) (Pret)
Mr Christiaan Naudé, BA (Languages), BA (English Hons) MA (English) (Pretoria), has a wide-ranging interest inin eighteenth-century British writing, late-twentieth-century and contemporary South African fiction in English and Afrikaans, contemporary African fiction in English, and literary theory. His mini-dissertation, titled Robinson Crusoe: allegory of the novel, combined these interests to a large extent. He completed his MA dissertation on Ivan Vladislavić’s 101 Detectives with distinction.
Naudé, C. 2017. Ivan Vladislavić’s Aesthetics of Detritus in ‘Autopsy’ and ‘Propaganda by Monuments’. English in Africa, 44(3): 49-72.
Ms Marieke Krynauw
BA, BA Hons (English) (Pret)
Ms Marieke Krynauw, BA, BA Hons (English) MA (English) (Pret), is interested in a wide variety of areas, including contemporary children’s and adolescent literature, Modernism, and literary representations of spatiality. For her Honours degree, she completed a mini-dissertation which explored liminality and liminal spaces in selected works by David Almond. She has completed cum laude an MA on the representation and production of sacred space in David Almond’s novels.
Miss Harriet Bentley
BA, BA Hons (English) (Pretoria)
Miss Harriet Bentley, BA, BA Hons (English) (Pret) has an interest in a variety of areas including contemporary Fantasy novels, English Romance, Jane Austen, and has a deep and undying affection for the works of Douglas Adams. Her Honours mini-dissertation is entitled "Buried Romance in the Buried Giant: Romance tropes in The Buried Giant by Kazuo Ishiguro". She is currently working on her MA on female representation in the fantasy series of Ursula Le Guin and Tamora Pierce.
Ms Nicole Best
BA (Languages and Literature), BA (English Hons) (Pretoria)
BA (Languages and Literature), BA (English Hons) (Pretoria)
Ms Nicole Best, BA (Languages and Literature), BA (English Hons) (Pretoria), is interested in diverse areas which include genre fiction, specifically science fiction and fantasy; classical Greek literature and its abiding influence on contemporary literature and culture; the intersection of the equally-foreign countries of contemporary science fiction and classical literatures; adaptation, originality, and intertextuality; representations of gender and sexuality; feminist theory; and canonicity. She also maintains a keen interest in creative writing and literary theory, and has published her poetry in New Contrast.
For her Honours degree she completed a mini-dissertation entitled Troy to Marthatown: the adaptation of selected Trojan plays by Euripides in Sheri S. Tepper’s The Gate to Women’s Country. More recently, she was awarded an Andrew W. Mellon Foundation scholarship for her ongoing MA research, which pertains to the human face and cost of inequalities and involves science fiction texts by Sheri S. Tepper, Ursula Le Guin, and Margaret Atwood and their feminist adaptations of classical Greek texts by Euripides, Virgil, and Homer.
Science fiction, classical Greek literature, reception studies, adaptation and originality, feminism, canonicity.
Recent publications and papers:
Best, Nicole. 2018. "Disarming the Canon: Exploring Tepper’s Rewriting of Euripides." JLS (in press).
Best, N. 2017. “Aqua Vitae”. New Contrast. Vol. 45, no. 1, September 2017.
Best, N. 2017. “Aspirations”. New Contrast. Vol. 45, no. 1, September 2017.
Best, Nicole. (2017). “‘Men like to think well of themselves, and poets help them do it’: exploring Tepper’s rewriting of Euripides.” SAVAL conference, 17-18 August 2017, UNISA, Pretoria.
Ms Liesl de Wet
BA Hons (English) (Pret), Dip TESOL (Trinity College London)
Ms Liesl de Wet, BA Hons (English) (Pret), Dip TESOL (Trinity College London) is interested in TESOL methodology and practice, Modernism, and Post-modernism, especially dystopian novels. She is currently working on an MA discussing the dystopian elements in a selection of Philip K. Dick's novels.
Miss Jana Muller
BA (Visual Studies), BA Hons (English) (Pretoria)
Miss Jana Muller, BA, BA Hons (English) (Pret) is interested in a variety of areas, focussing on postcolonial literature and the development and understanding of postcolonial identity in India and South Africa. Her Honours mini-dissertation is entitled "Hybrid Identity in Arundhati Roy's The God of Small Things". She is currently working on her MA on post-independence myths in Indian and South African women’s writing.