Staff

Head of Department

Professor M A Brown

BA (Hons) MA (Rhodes) MA (London) DLitt (Pretoria) ATCL (Trinity College London) CELTA

Humanities 16-14

Tel: +27 12 420 2421

E-mail: [email protected]

OrcId: 0000-0001-5775-5058

Linked-in:  https://www.linkedin.com/in/molly-brown-0b868429?originalSubdomain=za 

Prof. M. A. Brown, BA(Hons) MA (Rhodes) MA (London), DLitt (Pret), ATCL (Trinity College, London) CELTA (Cambridge), is the Head of Department. Her interests are varied but tend to cluster about lyric poetry, eighteenth-century literature and all forms of the romance from Spenser and Malory to Tolkien, Le Guin and J.K. Rowling. Students who secretly commit poetry or lurk around the science fiction shelves of their local bookshop are welcome! Her DLitt was entitled Memes, magic and the making of meaning in re-visioning fantasy for young adults.

Research areas:

The Romance from Malory to contemporary science fiction, fantasy and children’s literature

Recent publications:

2014. "Guilt, guns, girls and ghettos: Adjacent futures in selected post-apartheid fantasies." Tydskrif vir Letterkunde, 51(2), pp. 28-39.

“Light on shades: complex constructions of identity in the poems of Chris Mann”. English Academy Review, 2011, 28(1) May, pp. 64-72.

“The physics of responsibility: alternate worlds and adolescent choices”. Mousaion, 2010, 28(2), pp. 1-13.

 

Departmental administrator
Mrs Lindiwe Mtimunye

BAdmin

Humanities 16-14

Tel: +27 12 420 2421
E-mail:
[email protected]

 

Professor

Prof D Medalie

BA (Hons) (Witwatersrand) (MPhil) (Oxford) (DPhil) (Oxford)

Humanities 16-18
Tel: +27 12 420 2716
E-mail:
[email protected]

OrcId: https://orcid.org/0000-0002-1080-3072

Professor D. Medalie, BA(Hons)(Wits) MPhil, DPhil (Oxford) is the Director of the Unit for Creative Writing at the University of Pretoria. He is also a professor in the Department of English, where he teaches Honours courses, supervises Master's and PhD students and is the co-ordinator of the M.A. and PhD programmes.

Prof. Medalie is a novelist, short story writer, anthologist and academic. His teaching and research interests include Modernism and early twentieth century literature; South African literature and Jane Austen. 

Prof. Medalie’s second collection of short stories, The Mistress’s Dog (published in 2010 by Picador Africa/ Pan Macmillan) was short-listed in 2011 for the University of Johannesburg Literary Award. The title story was awarded the Thomas Pringle Award by the English Academy of Southern Africa. It was also short-listed for the Caine Prize for African Writing. In addition, it was selected as one of the best twenty short stories of the post-apartheid period and published in 2014 in a collection entitled Twenty in 20.

Research areas:

Early twentieth century literature (especially Modernism), South African literature, creative writing.

Recent publications:

2018. ‘Borrowed by the Wind’ (short story). As You Like It: The Gerald Kraak Anthology (Vol. II): African Perspectives on Gender, Social Justice and Sexuality. Auckland Park: Jacana; The Other Foundation. 

2017. Recognition: An Anthology of South African Short Stories. Selected and Introduced by David Medalie. Johannesburg: Witwatersrand University Press. 288pp.

2017. ‘“The Line of Maurice: Forster, Hollinghurst and the “Social Fabric”’. English Studies in Africa. Vol 60, no.1. 46-59.

Creative Writing:

The Mistress's Dog (Short Stories) Johannesburg: Picador Africa/ Pan Macmillan. 2010. 191pp.

“The Mistress's Dog”. To See the Mountain and Other Stories: The Caine Prize for African Writing 2011. Oxford: New Internationalist Publications. 60-68.

“Brother Out of Darkness”. New Contrast, 2012, Vol. 40, No.2.
 

Professor
Prof C Sandwith


BA (Hons), MA (Natal), PhD (UKZN)

Humanities 16-16

Tel 012 420 2617

Email: [email protected]

OrcId: 0000-0002-5878-2493

Professor Corinne Sandwith, BA (Hons) (University of Natal) MA (University of Natal) PhD (UKZN), is a Professor in the department. Her research interests include African print and reading cultures and the history of reading and cultural debate in early apartheid South Africa. Recent work focuses on the social lives of books and print materials, exploring questions such as the production/publication of African literature and the circulation and citation of texts in disparate reading contexts.

Her monograph, World of Letters: Reading Communities and Cultural Debates in Early Apartheid South Africa (UKZN Press 2014) won the University of Pretoria Vice-Chancellor’s Book Award (2016) and was shortlisted for the National Institute for the Humanities and Social Sciences (NHISS) Award for Best Monograph (2016).

Research areas:

South African intellectual history, book history, the South African public sphere, South African and African literature, the postcolony.

Some recent publications and papers:

“History by Paratext: Reading Thomas Mofolo’s Chaka. Journal of Southern African Studies, 2018, 44(3), pp. 471-490.

“The Appearance of the Book: Towards the Reading Lives and Worlds of Black South African Readers” English in Africa, 2018, 45. 1 (April 2018), pp. 11–38.

“The Banality of Violence: Reading the Daily Sun”. In: Tracks and Traces of Violence: The Representation and Memorialisation of Violence in Africa in Art, Literature and Anthropology. Edited by BIGSAS Workgroup Tracks and Traces of Violence. Berlin: Lit Verlag Dr. W. Hopf, 2017, pp. 181-196.

For a full list, please seehttps://up-za.academia.edu/CorinneSandwith

Or https://scholar.google.co.za/citations?user=u6yYzrcAAAAJ&hl=en

 

Associate Professor

Dr Nedine Moonsamy

BADA (Wits), MA (University of Poona, India), MA (Wits), Ph.D (Wits).

Humanities 16-23

Tel: (012) 420-4598 

[email protected]

OrcId: 0000-0003-1052-5989

Dr Nedine Moonsamy is interested in a host of areas that include literary theory, postcolonial literature, cultural studies, photography, film and science fiction in Africa. She is  currently working on a monograph on contemporary South African fiction and also conducts research on Science Fiction in Africa. Her second project considers how African authors adapt the genre to suit the continent, its sociopolitical complexities and the nuances of its varying cultural milieus. Her debut novel, The Unfamous Five is published by Modjaji Books (2019).

Research Areas:

Contemporary african literature, nostalgia studies, nationalism, post-apartheid, whiteness, time, temporality, memory, postcolonialism, apocalypse, science fiction, race, gender, utopia, dystopia, futurity, ecology, afrofuturism, technicity.

Recent Publications:

see https://up-za.academia.edu/NedineMoonsamy

 
Senior Lecturer
Dr I Noomé

BA (Hons) MA (Pretoria) HED (Unisa) DLitt (Pretoria)

Humanities 16-29
Tel: +27 12 420 3379 / 2421
E-mail: 
[email protected]

orcid: 0000-0002-9405-3685

Linkedin: https://www.linkedin.com/in/idette-noome-70578319/

Dr Idette Noomé, BA(Hons) MA(Pretoria) HED(Unisa), DLitt (Pretoria) is a lecturer in the Department. Her MA was entitled Milton's Paradise Lost and Paradise Regained and Klopstock's Messias: A Comparative Study. Her interests include Anglo-Saxon, Middle English, 17th century literature and modern drama. She focuses on comparative literature, translation and specialist editing, for which she has developed under- and postgraduate courses. She is also very interested in children's literature, and has initiated a research project on late 19th and early 20th century children's literature at the Sammy Marks Museum. Her DLitt was entitled Widening readership - A case study of the translation of indigenous law.

Research areas:

Translation and comparative studies, plain language, children's literature (L.M. Montgomery, Louisa May Alcott, late 19th and early 20th century literature for girls), Milton, Chaucer

Recent papers and publications:

Noome, Idette. (2018). "The nature of the beast: Pets and people in L.M. Montgomery’s fiction", in L. M. Montgomery and the Matter of Nature(s), Edited ny R. Bode & J. Mitchell, McGill-Queen's University Press.  

Noome, Idette. (2018). "Re-membering local African history – translating the biography of Muhlava I              of the Vankuna into English." JLS, 34(3):36-56.

Noome, Idette. (2016). "The Marula Tree on the Boundary: Inclusive translation?" 7th Triennial ACLALS conference (Association for Commonwealth Literature and Language Studies, 10-15 July 2016, University of Stellenbosch.

 

Senior Lecturer

Dr PC Lenahan


BA (Hons) MEd (Rhodes) MPhil (Oxford) CELTA DELTA (Cambridge) DipTEFLA (RSA/Cambridge) DLitt (Pret)

Humanities 16-24
Tel: +27 12 420 4769

E-mail: [email protected]

OrcId: https://orcid.org/0000-0002-0658-003x1

Dr Patrick Lenahan, BA(Hons) MEd(Rhodes) MPhil(Oxford) DELTA (Cambridge), DLItt (Pret) is a senior lecturer in the Department. His interests and specialist fields are 16th and 17th century literature (including Shakespeare) and TESOL theory, methodology and practice. He is also interested in Thomas Pringle and Olive Schreiner. His doctorate focused on the work of Thomas Pringle. 

 

Senior Lecturer

Dr R Fasselt

MA (Free University Berlin), PhD (Free University Berlin)

Humanities 16-26
+27 12 420 6809 or +27 12 420 2421
E-mail:
[email protected]

OrcId: 0000-0001-8011-0266

Dr Rebecca Fasselt is particularly interested in literary and cultural connections between South Africa and other parts of Africa. Her PhD thesis examined the portrayal of migrants from elsewhere on the African continent in South African literature published after 2000. She is currently working on a comparative project engaging with recent theorisations of contemporary Nigerian and South African literature. Another research focus is on postcolonial novels written in the first-person plural voice.

Research Areas:
African literatures, Nigerian third generation writing, postapartheid fiction, postcolonial theory, narratology, Afropolitanism, intra-African migration, gender studies 

Recent Publications:

“Decolonising the Afropolitan: Intra-African Migrations in post-2000 Literature.” Handbook of African Literature. Ed. Moradewun Adejunmobi and Carli Coetzee. London: Routledge. Forthcoming 2018. 

Fasselt, Rebecca, Corinne Sandwith and Khulukazi Soldati-Kahimbaara. “The Short Story in South Africa Post-2000: Critical Reflections on a Genre in Transition.” Special Issue on the Short Story in South Africa Post-2000. Journal of Commonwelath Literature (2018). DOI: 10.1177/0021989418778080

 “Rewriting Kinship: Trans-African Family Formations and Postcolonial Disillusionment in Niq Mhlongo’s After Tears.” Social Dymanics 43.3 (2017): 470-486. DOI: 10.1080/02533952.2017.1390880 

For a full list, please see https://up-za.academia.edu/RebeccaFasselt

 

Senior Lecturer
Dr JA Goedhals

BA (Hons) (Rhodes) MA (Wits) DLitt (UP)

Humanities 16-30

Tel: +27 12 420 2421 or x3985
E-mail:
[email protected]

OrcID: https://orcid.org/0000-0002-5853-801X

Dr Antony Goedhals, BA (Hons) (Rhodes) MA (Wits) DLitt (UP), is a lecturer in the Department. His teaching and research interests include Anglo-Saxon literature; Medieval literature, particularly Chaucer; the history of the novel, with especial reference to Daniel Defoe; William Blake; Victorian literature and cultural history – particularly the Anglo-American encounter with Buddhism; Lafcadio Hearn; Modernism – especially the novels of Joseph Conrad and the poetry of W. B. Yeats and Wallace Stevens; the novels of J. M. Coetzee. He has completed a PhD on the Victorian writer Lafcadio Hearn, which was published by Brill in July 2020:

Recent Publications/Papers

Goedhals, J. Antony. 2018. Auctour and Auctoritee in Chaucer’s The Book of the Duchess. 

Studia Neophilologica. doi:10.1080/00393274.2018.1465848 

Goedhals, J. Antony. 2017. ‘Revisioning Reality: Transcending Space and Time in the Buddhist Writings of Lafcadio Hearn’. Scrutiny2: Issues in English Studies in Southern Africa, 22:2, 96-111.

 

Senior Lecturer

Dr C Lavery

BA Hons UCT, MSt Oxford, DPhil Oxford

Humanities 16-6

Tel 012 420 2421

Email: [email protected]

Orcid ID: https://orcid.org/0000-0002-9907-4143

Charne Lavery, BA Hons UCT, MSt Oxford, DPhil Oxford, is a Senior Lecturer in the Department of English at the University of Pretoria and Co-Director of the Oceanic Humanities for the Global South project based at the Wits Institute for Social and Economic Research (WISER), University of the Witwatersrand (www.oceanichumanities.com). She explores literary and cultural representations of the deep ocean, the Indian Ocean, and the Southern Ocean and Antarctic seas, researching oceanic underworlds of the global South. She is the South African Humanities and Social Sciences delegate to the international Scientific Committee on Antarctic Research (SCAR), co-editor of the Palgrave series Maritime Literature and Culture, and board member of Global Nineteenth Century Studies. 

Research interests

Postcolonial and colonial literature and theory, Ecocriticism, Oceanic humanities, Indian Ocean studies, African literature, Indian literature, Antarctic humanities, Global South studies, transnationalism

Recent publications

Writing Ocean Worlds: Indian Ocean Fiction in English, London: Palgrave, 2021, https://link.springer.com/book/10.1007/978-3-030-87116-1

‘Lascars, Drifters, Aquanauts,’ in Margaret Cohen (ed), A Cultural History of the Sea in the Age of Empire, Bloomsbury, 2020

‘The Oceanic South’ with co-author Meg Samuelson for ‘Hydro-Criticism’ special issue of English Language Notes, 57:1, 2019

 

Lecturer

Dr C Guldimann

BA Hons, MA (UCT), CELT TEFL (Dublin), Ph.D. (London)

Humanities 16-10

Tel:012-420-6130

E-mail: colette.guldimann@up.ac.za

OrcID: 0000-0003-1492-1065 

Having lived and worked in 5 countries across the globe, Colette has a keen interest in transnational cultural crossings and how cultural meanings change when forms cross national boundaries.  After a Ph.D. thesis tracing Transatlantic exchanges of popular culture between South African Drum magazine and American / African-American media in the 1950s, her current research project focuses on interpretations of popular cultural forms within postcolonial contexts, particularly the postcolonial detective genre in Africa.
Her publications combine a variety of theoretical approaches (postcolonial, feminist and film theory, psychoanalysis, postmodernism, semiotics) to illuminate a diverse range of subjects: Southern African literature, popular culture and contemporary British poetry. 

Research Areas:

Popular fiction (crime fiction, romance, graphic novels) in South Africa, Africa and Postcolonial contexts; Southern African literature and Media, Colonial and Postcolonial literature, Creative Writing. 

Recent Publications:

Forensics as a signifier of postcolonial change in South African and Moroccan police procedurals. Presented at Captivating Criminality 3: Crime Fiction, Felony, Fear and Forensics, 23 – 25th June 2016, Corsham Court, Bath Spa University, United Kingdom.

The Protean new South Africa in Deon Meyer's Heart of the Hunter. Scrutiny2: Special issue on South African crime fiction. 19 1 (2014): 80-92.

“Imported from America” or fugitive forgeries? Drum Magazine and black popular culture in apartheid South Africa.  In Falola, Toyin & Ngom, Fallou (Eds.) Oral and Written Expressions of African Cultures. Durham: Carolina Academic Press, 2009.

For a full list, please see https://up-za.academia.edu/ColetteGuldimann

 

Lecturer

Ms Y Kenqu

Orcid: 0000-0002-3039-9628

 

Lecturer

Mr G Nöffke

BA, BA (Hons), MA (Pretoria)
Humanities 16-11

Tel 012 420 2421

Email: [email protected]

OrcId: https://orcid.org/0000-0002-4030-1268

Mr Georg Nöffke, BA (Hons), MA (Pretoria) is interested in twentieth-century and contemporary literature, Modernism, intertextuality, and the work of Ted Hughes, Sylvia Plath and J.M. Coetzee in particular. He  completed cum laude his  MA which focuses on the intertextual dialogue between Ted Hughes and Sylvia Plath in selected poems, and is finalising his PhD on Sylvia Plath. 

Research areas:

Ted Hughes, Sylvia Plath, contemporary literature

Some recent publications and papers:

“‘That gallop was practice’: a horse ride as practice run for things to come in Sylvia Plath’s ‘Whiteness I remember’ and Ted Hughes’s ‘Sam’.” English Academy Review, 30: 2, October, 2013, pp. 6-20.

“These super people: the superimposition of Ted Hughes's ‘Brasilia’ on Sylvia Plath's ‘Brasilia’.” Paper presented at Sylvia Plath Symposium, University of Indiana, 2012.

 

Research Associate

Dr Tatjana Pavlov-West

MA English and American Literature, French Literature, Art History (Technical University of Berlin), PhD English (University of Pretoria)

Humanities
E-mail: [email protected]

OrcId: https://orcid.org/0000-0002-4804-7671

Dr. Tatjana Pavlov-West worked as a lecturer in English Literary and Cultural Studies at the Universities of Berlin (TU), Potsdam, Pretoria and most recently Tübingen. She has a variety of research interests combining literary and visual cultures. Whereas her MA was concerned with the relationship between text and image in Peter Greenaway’s postmodern films and their allusions to the British theatre of the 17th century, her PhD looked at different approaches to trauma in literary, visual and performance cultures. The project, now published in book form, looks at the difference between language loss as symptomatic reaction towards a single traumatic event as explained by Western trauma theorists, and the loss of language as part of insidious traumas, caused and perpetuated by continuing forms of structural discrimination such as slavery, colonization and neo-colonization. Her temporary journey into speech therapy with a focus on mutism, and her following stay in South Africa triggered her interest in different forms of language loss, trauma and alternative Global South approaches towards it. Having worked for two years as a lecturer in the English Department at UP (and partly as an adjunct lecturer in the Visual Studies Department), she is now back in Germany but remains affiliated with the department as a research associate. Dr. Pavlov-West currently teaches English and French at high-school level and is embarked upon a project to “decolonize” EFL curricular material and further the status of Global Learning within secondary school teaching.

Research Areas:
Global South Studies, Postcolonial Studies, Literary and Cultural Studies, Global Learning, Performance Art and Poetry, Trauma literature, Postmodernism, 17th century drama

Recent Publications:

Images of the Wounded Mouth: Dissonant Approaches to Trauma in Global South Literary, Visual and Performance Cultures Tübingen: Narr-Francke-Attempto, 2020.

“Philomela X, a (his)story of silenced identities: André Brink’s The Other Side of Silence”, Literaturwissenschaftliches Jahrbuch Bd. 58 (2017): 377-398.

“Jeanette Winterson’s Sexing the Cherry”, The English Novel, 1900–2000: Text and Theory. Ed. Christoph Reinfandt. Berlin: De Gruyter, 2017: 424-444.

 

 

Prof. A. Chennells

Professor Anthony Chennells, an internationally renowned scholar of African literature, has been appointed an Extraordinary Professor in the Department of English since 2004. Prof Chennells taught until his retirement at the University of Zimbabwe. He is also a visiting scholar and research associate at the University of California at Santa Cruz.

Research areas:

Colonial and Postcolonial literatures, the British novel

Some recent publications:

"Historical novel or novel history? Michael Cawood Green's For the Sake of Silence.” English Academy Review, 29(1), May 2012, pp. 33-45.

“Inculturated Catholicisms in Chimamanda Adichie's Purple Hibiscus.” English Academy Review, 26(1), June 2012, pp. 265-276.

“Savages and settlers in Dickens: reading multiple centres.” In Jordan & N. Perera (eds.), Global Dickens, Farnham (UK) and Burlington (US): Ashgate (pp. 311-330). 9781409436119. 2012.

Research Associate

Dr A Myburgh

MA, D Litt (UP)

Albert Myburgh obtained a DLitt in English from the University of Pretoria in 2018. In his thesis, "Life, death and the afterlife in selected nineteenth-century British Gothic novels", he argues that death is used as a motif in these works to explore ontological concerns around ways of knowing, liminal forms of existence, and forgiveness. He is interested mainly in literature of the late eighteenth to early twentieth centuries, particularly Gothic literature, ghost stories, and sensation fiction. His article “Cathy’s subversive ‘Black Art’ in Emily Brontë’s Wuthering Heights" was published in the English Academy Review in 2018.

 

Ms Marieke Krynauw

BA, BA Hons (English) (Pret)

Humanities 16-5
Tel 012 420 2421

OrcId: 0000-0003-2050-9827

Ms Marieke Krynauw, BA, BA Hons (English) MA (English) (Pret), is interested in a wide variety of areas, including contemporary children’s and adolescent literature, Modernism, and literary representations of spatiality. For her Honours degree, she completed a mini-dissertation which explored liminality and liminal spaces in selected works by David Almond. She has completed cum laude an MA on the representation and production of sacred space in David Almond’s novels, and is currently working on a PhD on Virginia Woolf.

Full CV

 

Ms Michal-Maré Linden

BA (Music), BA (Hons) (English), MA (English) Pret

Humanities 16-5
Tel 012 420 2421
 
 
Ms Michal-Maré Linden, BA (Music), BA (Hons) (English), MA (English) Pret, has a number of research interests including contemporary media forms, such as newspapers, magazines and social media, African literature and literature by and about women. She also loves current news, politics and studies around protest.  She completed her mini-dissertation titled "The Y-connection: A comparative study of Todd Matshikiza’s music journalism in Drum and the music journalism of Y-Mag as representative of urban cultures in transition" in 2015.  Her MA was inspired by her time as Editor at the campus newspaper and is titled "Narrating the 2015 Fees Must Fall movement: explanations, contestations, and forms of meaning-making in the public sphere". She is currently working on a PhD about the narratives surrounding violence against women on South African university campuses.
 
Ms Suzanne Jacobs

BA, BA Hons, MA (English) (Pretoria)

Humanities 16-4

Tel 012 420 2421

 
Ms Suzanne Jacobs, BA (Visual Art), BA (Hons) (English), MA (English) Pret, is currently pursuing a PhD on the topic of tutoring undergraduates in literary analysis through an automated system. She aims to investigate whether undergraduate performance might be improved by a chatbot which presents individual students with customised selections of multiple choice questions, based on trends in the performance of the individual student and of other students.  

Her research interests include undergraduate teaching, study methods, and early twentieth century fantasy and folkloristics. Her MA dissertation explored the impact of folklore studies on the uses and effects of covert allusions in the work of J.R.R. Tolkien.

Recent publications and papers:

Jacobs, S. 2020. "Tolkien’s Tom Bombadil: An Enigma '(Intentionally)'," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 2 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol38/iss2/6

Jacobs, S. 2016. J.R.R. Tolkien’s The Lord of the Rings: Fellowships, Kings, Towns and Towers “. Persons and Cities conference, 5-6 September, UP, Pretoria. 

 
Ms Nicole Best

BA (Languages and Literature), BA (English Hons) (Pretoria), MA (Pret)

Humanities 16-4
Tel 012 420 2421

Ms Nicole Best, BA (Languages and Literature), BA (English Hons) (Pretoria), is interested in diverse areas which include genre fiction, specifically science fiction and fantasy; classical Greek literature and its abiding influence on contemporary literature and culture; the intersection of the equally-foreign countries of contemporary science fiction and classical literatures; adaptation, originality, and intertextuality; representations of gender and sexuality; feminist theory; and canonicity. She also maintains a keen interest in creative writing and literary theory, and has published her poetry in New Contrast.

For her Honours degree she completed a mini-dissertation entitled Troy to Marthatown: the adaptation of selected Trojan plays by Euripides in Sheri S. Tepper’s The Gate to Women’s Country. More recently, she was awarded an Andrew W. Mellon Foundation scholarship for her MA research, which pertains to the human face and cost of inequalities and involves science fiction texts by Sheri S. Tepper, Ursula Le Guin, and Margaret Atwood and their feminist adaptations of classical Greek texts by Euripides, Virgil, and Homer. She is currently working on her PhD.

Research areas:

Science fiction, classical Greek literature, reception studies, adaptation and originality, feminism, canonicity.

Recent publications and papers:

Articles

Best, Nicole. 2018. "Disarming the Canon: Exploring Tepper’s Rewriting of Euripides." JLS (in press).

Creative Writing

Best, N. 2017. “Aqua Vitae”. New Contrast. Vol. 45, no. 1, September 2017.

Best, N. 2017. “Aspirations”. New Contrast. Vol. 45, no. 1, September 2017.

Conference Papers

Best, Nicole. (2017). “‘Men like to think well of themselves, and poets help them do it’: exploring Tepper’s rewriting of Euripides.” SAVAL conference, 17-18 August 2017, UNISA, Pretoria.

Prof J A Wessels (Professor) Emeritus

BA (Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA


OrcId: 0000-0001-9257-560X

Professor Andries Wessels, BA(Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA (Cambridge) is particularly interested in modernism and modern literature (in particular the work of James Joyce and TS Eliot), Irish literature, comparative literature and translation. His MPhil studies focused on the Modern Period (1880-1960), and his DLitt et Phil was entitled Decadence and resilience: the aristocratic novel in English in the Twentieth Century.

Research areas:

Modernism, issues of national and cultural identity, Irish literature, translation

Some recent publications and papers

2017: By die Afskaffing van Afrikaans as universiteitsvoertaal 2016/2017, poem, published on Litnet, 16 March 2017. https://www.litnet.co.za/die-afskaffing-van-afrikaans-universiteitsvoertaal-20162017

“Compromising genre in Agatha Christie’s South African detective novel, The Man in the Brown Suit”, Journal of Literary Studies, 33(1), March 2017, pp 1-23.                

"Paris as ‘unreal city’: Modernist conceptions in Michiel Heyns’s Invisible Furies",Tydskrif vir Letterkunde, 54 (1), 2017, March 2017, pp. 96-110.

 

 

Prof R A Gray (Professor) Emeritus

BA and STD (UCT); BA Hons., MA cum laude and a DLitt. et Phil. (UNISA)

Orcid ID :https://orcid.org/0000-0002-6583-4319

Professor Rosemary Gray (FEEYS) has a BA and STD (UCT); BA Hons., MA cum laude and a DLitt. et Phil. (UNISA). After 21 years at the University of Pretoria, she is Emeritus Professor in the Department of English. She is an NRF rated researcher.

Passionate about indigenous knowledge systems, she is an avid Anglo-Saxonist, who has specialized in Pan-African literatures in English for more than three decades. Her current primary research interest is the work of the Nigerian-born Londoner, Ben Okri. In a coincidental celebration of her 80th birthday, her The Tough Alchemy of Ben Okri: The writer as conceptual artist has been released on Kindle and in hard copy by Bloomsbury Academic Publishers, London and New York and is available globally; it will be available as an audio book and is being translated into several global languages. Professor Gray has published regular chapters and articles on the Okrian oeuvre, among others, in international journals and in Harvard's prestigious Analecta Husserliana for more than three decades and has a chapter in Routledge's 2021 The Literature and Art of the Niger Delta, a ground-breaking publication commissioned by the University of North Carolina.

She was awarded the Gold Medal for distinguished service to English over a lifetime in 2008 and won the Thomas Pringle award for best scholarly article in 2017. She is Managing Editor of the English Academy Review: Journal of English Studies and is Honorary Treasurer and Life Vice President of the English Academy of Southern Africa and serves on PanSALB’s National English Language Body.

Recent publications

Gray, Rosemary. 2020. “Countering ‘mind-forged manacles’ in Ben Okri’s The Freedom Artist (2019): HOT consciousness. Journal for Literary Studies. DHET, IBSS accredited ISSN 0256-4718. https://doi.org/10.1080/02564718.2020.1466446  

Matthew Curr and Rosemary Gray. 2020. “An Anzalduan Reading of Ben Okri’s In Arcadia”.  Journal for Literary Studies. DHET, IBSS accredited ISSN 0256-4718. https://doi.org/10.1080/02564718.2020.1466446  

Gray, Rosemary. 2020. “Ben Okri’s ImaginNation: ‘Incandescence of the Wind’”. Scruting2, Unisa Press and Taylor & Francis.

Short cv: //www.up.ac.za/media/shared/56/shortcv.zp193537.docx

 

Published by Charne Lavery

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