Staff

Head of Department

Professor M A Brown

 

BA (Hons) MA (Rhodes) MA (London) DLitt (Pretoria) ATCL (Trinity College London) CELTA

Humanities 16-14

Tel: +27 12 420 2421

E-mail: [email protected]

OrcId: 0000-0001-5775-5058

Linked-in:  https://www.linkedin.com/in/molly-brown-0b868429?originalSubdomain=za 

Prof. M. A. Brown, BA(Hons) MA (Rhodes) MA (London), DLitt (Pret), ATCL (Trinity College, London) CELTA (Cambridge), is the Head of Department. Her interests are varied but tend to cluster about lyric poetry, eighteenth-century literature and all forms of the romance from Spenser and Malory to Tolkien, Le Guin and J.K. Rowling. Students who secretly commit poetry or lurk around the science fiction shelves of their local bookshop are welcome! Her DLitt was entitled Memes, magic and the making of meaning in re-visioning fantasy for young adults.

Research areas:

The Romance from Malory to contemporary science fiction, fantasy and children’s literature

Recent publications:

2014. "Guilt, guns, girls and ghettos: Adjacent futures in selected post-apartheid fantasies." Tydskrif vir Letterkunde, 51(2), pp. 28-39.

“Light on shades: complex constructions of identity in the poems of Chris Mann”. English Academy Review, 2011, 28(1) May, pp. 64-72.

“The physics of responsibility: alternate worlds and adolescent choices”. Mousaion, 2010, 28(2), pp. 1-13.

“Harry Potter and the reluctant reader”. Mousaion, 2009, 27(2) Special edition. pp. 47-57.

“Towards reclaiming the colonised mind: the liberating fantasies of Duiker and Ihimaera. Papers: Explorations into Children’s Literature, 2008, 18 (2), pp. 35-40.

Between a rock and a hard place: hidden stories and The hidden star. Mousaion, 26 (2), 2008, pp.162-173.

Why are South Africans afraid of tokoloshes? The Lion and the Unicorn, 32 (3), 2008, pp. 260-270.

 

Departmental administrator
Ms Lindiwe Mtimunye

BAdmin

Humanities 16-14

Tel: +27 12 420 2421
E-mail:
[email protected]

 

 

Professor

Prof D Medalie


BA (Hons) (Witwatersrand) (MPhil) (Oxford) (DPhil) (Oxford)

Humanities 16-18
Tel: +27 12 420 2716
E-mail:
[email protected]

OrcId: https://orcid.org/0000-0002-1080-3072

Professor D. Medalie, BA(Hons)(Wits) MPhil, DPhil (Oxford) is the Director of the Unit for Creative Writing at the University of Pretoria. He is also a professor in the Department of English, where he teaches Honours courses, supervises Master's and PhD students and is the co-ordinator of the M.A. and PhD programmes.

Prof. Medalie is a novelist, short story writer, anthologist and academic. His teaching and research interests include Modernism and early twentieth century literature; South African literature and Jane Austen. 

Prof. Medalie’s second collection of short stories, The Mistress’s Dog (published in 2010 by Picador Africa/ Pan Macmillan) was short-listed in 2011 for the University of Johannesburg Literary Award. The title story was awarded the Thomas Pringle Award by the English Academy of Southern Africa. It was also short-listed for the Caine Prize for African Writing. In addition, it was selected as one of the best twenty short stories of the post-apartheid period and published in 2014 in a collection entitled Twenty in 20.

Research areas:

Early twentieth century literature (especially Modernism), South African literature, creative writing.

Recent publications:

2018. ‘Borrowed by the Wind’ (short story). As You Like It: The Gerald Kraak Anthology (Vol. II): African Perspectives on Gender, Social Justice and Sexuality. Auckland Park: Jacana; The Other Foundation. 

2017. Recognition: An Anthology of South African Short Stories. Selected and Introduced by David Medalie. Johannesburg: Witwatersrand University Press. 288pp.

2017. ‘“The Line of Maurice: Forster, Hollinghurst and the “Social Fabric”’. English Studies in Africa. Vol 60, no.1. 46-59.

2017. ‘The Secret Knows’ (short story). New Contrast. Vol. 45, Winter 2017.   

2016. ‘“Remembering my life under apartheid with fondness”: the memoirs of Jacob Dlamini and Chris van Wyk’. English in Africa. Vol. 43, no.3. 43-60.

2015. ‘At the Dying of Two Centuries: Heart of Darkness and Disgrace’. Outposts of Progress: Joseph Conrad, Modernism and Post-Colonialism. Eds. Gail Fincham, Jeremy Hawthorn and Jakob Lothe. Claremont: UCT Press/ Juta. 72-83.

'‘Myself creating what I saw’: sympathy and solipsism in Jane Austen’s Emma'. English Studies in Africa, 2013, 56: 2, pp.1-13.

“‘To Retrace Your Steps’: The Power of the Past in Post-Apartheid Literature”. English Studies in Africa, 2012, Vol.55, No.1. 3-15.

“The Uses of Nostalgia”. English Studies in Africa, 2010, Vol. 53, No.1. 35-44.

“Alan Paton’s Short Fiction: Authority and Other Quandaries in The Hero of Currie Road”. English in Africa, 2010, Vol. 37, No.2. 57-70.

“Bloomsbury and Other Values”. The Cambridge Companion to E. M. Forster. Ed. David Bradshaw. Cambridge: Cambridge University Press, 2007, 32-46.

The Cry of Winnie Mandela: Njabulo Ndebele’s Post-Apartheid Novel.” English Studies in Africa, 2006, Vol. 49, No. 2. 51-65.

Creative Writing:

The Mistress's Dog (Short Stories) Johannesburg: Picador Africa/ Pan Macmillan. 2010. 191pp.

“The Mistress's Dog”. To See the Mountain and Other Stories: The Caine Prize for African Writing 2011. Oxford: New Internationalist Publications. 60-68.

“Brother Out of Darkness”. New Contrast, 2012, Vol. 40, No.2.
 

Professor
Prof C Sandwith

BA (Hons), MA (Natal), PhD (UKZN)

Humanities 16-16

Tel 012 420 2617

Email: [email protected]

OrcId: 0000-0002-5878-2493

Professor Corinne Sandwith, BA (Hons) (University of Natal) MA (University of Natal) PhD (UKZN), is a Professor in the department. Her research interests include African print and reading cultures and the history of reading and cultural debate in early apartheid South Africa. Recent work focuses on the social lives of books and print materials, exploring questions such as the production/publication of African literature and the circulation and citation of texts in disparate reading contexts.

Her monograph, World of Letters: Reading Communities and Cultural Debates in Early Apartheid South Africa (UKZN Press 2014) won the University of Pretoria Vice-Chancellor’s Book Award (2016) and was shortlisted for the National Institute for the Humanities and Social Sciences (NHISS) Award for Best Monograph (2016).

Research areas:

South African intellectual history, book history, the South African public sphere, South African and African literature, the postcolony.

Some recent publications and papers:

“History by Paratext: Reading Thomas Mofolo’s Chaka. Journal of Southern African Studies, 2018, 44(3), pp. 471-490.

“The Appearance of the Book: Towards the Reading Lives and Worlds of Black South African Readers” English in Africa, 2018, 45. 1 (April 2018), pp. 11–38.

“The Banality of Violence: Reading the Daily Sun”. In: Tracks and Traces of Violence: The Representation and Memorialisation of Violence in Africa in Art, Literature and Anthropology. Edited by BIGSAS Workgroup Tracks and Traces of Violence. Berlin: Lit Verlag Dr. W. Hopf, 2017, pp. 181-196.

"The Idea of Reading in Early Twentieth Century South Africa. Journal of Southern African Studies, 2016, 42(6), pp. 1095-1108.

"Frailties of the Flesh: Observing the Body in Chimamanda Ngozi Adichie's Purple Hibiscus." Research in African Literatures, 2016, 47(1), pp. 95-108.

World of Letters: Reading Communities and Cultural Debates in Early Apartheid South Africa. Pietermaritzburg: UKZN Press, 2014.

“‘Yours for Socialism’: Communist Cultural Discourse in Early Apartheid South Africa”. Safundi, 2013, 14(3), pp. 283–306.

Africa South: Viewpoints and Perspectives, 1956–1961. Edited by MJ Daymond and Corinne Sandwith. Pietermaritzburg: UKZN Press, 2011.

“Postcolonial Violence: Narrating South Africa, May 2008”. Current Writing, 2010, October 22(2), pp. 60–82.

“The Work of Cultural Criticism: Re-visiting The South African Opinion.” Alternation, 2008, 15(1), pp. 38–70.

“‘Entering the Territory of Incitement’: Oppositionality and Africa South.” Social Dynamics, 2009, 35(1), pp 123–136.

Progressing with a Vengeance: The Woman Reader/Writer in the African Press. In: Comparative Print Cultures: A Study of Alternative Modernities. Ed. Rasoul Aliakbari. London: Palgrave Macmillan, 2020: pp. 143-164 

Well-Seasoned Talks: The Newspaper Column and the Satirical Mode in South African Letters. Special Issue on African print cultures entitled Authorship and Print Sociability edited by Isabel Hofmeyr and Derek Peterson. Social Dynamics, 2019. 45(1) 2019: pp. 103-120.

Fasselt, Rebecca, Corinne Sandwith and Khulukazi Soldati-Kahimbaara. “The Short Story in South Africa Post-2000: Critical Reflections on a Genre in Transition.” Special Issue on the Short Story in South Africa Post-2000. Journal of Commonwealth Literature, 55(1) March 2020: pp 4-21.

Reading and Roaming the Racial City:  R.R. R. Dhlomo and The Bantu World. Special Issue on African Popular Culture edited by Lynda Gichanda Spencer and Minesh Dass. English in Africa, 45(3) 2018: pp 17-39.

For a full list, please seehttps://up-za.academia.edu/CorinneSandwith

Or https://scholar.google.co.za/citations?user=u6yYzrcAAAAJ&hl=en

Senior Lecturer

Dr PC Lenahan

BA (Hons) MEd (Rhodes) MPhil (Oxford) CELTA DELTA (Cambridge) DipTEFLA (RSA/Cambridge) DLitt (Pret)

Humanities 16-24
Tel: +27 12 420 4769

E-mail: [email protected]

Dr Patrick Lenahan, BA(Hons) MEd(Rhodes) MPhil(Oxford) DELTA (Cambridge), DLItt (Pret) is a senior lecturer in the Department. His interests and specialist fields are 16th and 17th century literature (including Shakespeare) and TESOL theory, methodology and practice. He is also interested in Thomas Pringle and Olive Schreiner. His doctorate focused on the work of Thomas Pringle. 

OrcId: https://orcid.org/0000-0002-0658-003x1

Lecturer
Dr C 
Guldimann

BA Hons, MA (UCT), CELT TEFL (Dublin), Ph.D. (London)

Humanities 16-10

Tel:012-420-6130

E-mail: colette.guldimann@up.ac.za

OrcID: 0000-0003-1492-1065 

Having lived and worked in 5 countries across the globe, Colette has a keen interest in transnational cultural crossings and how cultural meanings change when forms cross national boundaries.  After a Ph.D. thesis tracing Transatlantic exchanges of popular culture between South African Drum magazine and American / African-American media in the 1950s, her current research project focuses on interpretations of popular cultural forms within postcolonial contexts, particularly the postcolonial detective genre in Africa.
Her publications combine a variety of theoretical approaches (postcolonial, feminist and film theory, psychoanalysis, postmodernism, semiotics) to illuminate a diverse range of subjects: Southern African literature, popular culture and contemporary British poetry. 

Research Areas:

Popular fiction (crime fiction, romance, graphic novels) in South Africa, Africa and Postcolonial contexts; Southern African literature and Media, Colonial and Postcolonial literature, Creative Writing. 

Recent Publications:

Journal articles / papers:

Forensics as a signifier of postcolonial change in South African and Moroccan police procedurals. Presented at Captivating Criminality 3: Crime Fiction, Felony, Fear and Forensics, 23 – 25th June 2016, Corsham Court, Bath Spa University, United Kingdom.

The Protean new South Africa in Deon Meyer's Heart of the Hunter. Scrutiny2: Special issue on South African crime fiction. 19 1 (2014): 80-92.

Book chapter:

“Imported from America” or fugitive forgeries? Drum Magazine and black popular culture in apartheid South Africa.  In Falola, Toyin & Ngom, Fallou (Eds.) Oral and Written Expressions of African Cultures. Durham: Carolina Academic Press, 2009.

For a full list, please see https://up-za.academia.edu/ColetteGuldimann

Full cv August 2018

Senior Lecturer
Dr R Fasselt

MA (Free University Berlin), PhD (Free University Berlin)

Humanities 16-26
+27 12 420 6809 or +27 12 420 2421
E-mail:
[email protected]

OrcId: 0000-0001-8011-0266

Dr Rebecca Fasselt is particularly interested in literary and cultural connections between South Africa and other parts of Africa. Her PhD thesis examined the portrayal of migrants from elsewhere on the African continent in South African literature published after 2000. She is currently working on a comparative project engaging with recent theorisations of contemporary Nigerian and South African literature. Another research focus is on postcolonial novels written in the first-person plural voice.

Research Areas:
African literatures, Nigerian third generation writing, postapartheid fiction, postcolonial theory, narratology, Afropolitanism, intra-African migration, gender studies 

Recent Publications:

“Decolonising the Afropolitan: Intra-African Migrations in post-2000 Literature.” Handbook of African Literature. Ed. Moradewun Adejunmobi and Carli Coetzee. London: Routledge. Forthcoming 2018. 

Fasselt, Rebecca, Corinne Sandwith and Khulukazi Soldati-Kahimbaara. “The Short Story in South Africa Post-2000: Critical Reflections on a Genre in Transition.” Special Issue on the Short Story in South Africa Post-2000. Journal of Commonwelath Literature (2018). DOI: 10.1177/0021989418778080

 “Rewriting Kinship: Trans-African Family Formations and Postcolonial Disillusionment in Niq Mhlongo’s After Tears.” Social Dymanics 43.3 (2017): 470-486. DOI: 10.1080/02533952.2017.1390880 

 “Making and Unmaking ‘African Foreignness’:  African Settings, African Migrants and the Migrant Detective in Contemporary South African Crime Fiction.” Journal of Southern African Studies 42.6 (2016): 1109-1124. DOI: 10.1080/03057070.2016.1253925 

“Towards a ‘New Africanity’: Southern Connectivities and Lusofonia in Imraan Coovadia’s Alternate History in The Institute for Taxi Poetry.” Current Writing: Text and Reception in Southern Africa  28.1 (2016): 26-39.

 “‘Where to Locate the Self?’ Gendered Hospitality, African Immigration and White Self-Renewal in Nadine Gordimer’s The Pickup.” Journal of Literary Studies 32.2 (2016): 13-36. DOI: 10.1080/02564718.2016.1198153

“(Post)colonial We-Narratives and the ‘Writing Back’ Paradigm: Joseph Conrad’s The Nigger of the Narcissus and Ngũgĩ wa Thiong’o’s A Grain of Wheat.” Poetics Today 37.1 (2016): 155-179.  DOI:10.1215/03335372-3452655

“Reassessing Thematic Crossings between South Africa and Nigeria: Postcolonial Leadership and Power in Mandla Langa’s The Lost Colours of the Chameleon and Helon Habila’s Waiting for an Angel.” ArielA Review of International English Literature 46.3 (2015): 23-53.

“Nigeria in the Cape: Afropolitanism and Alienation in Yewande Omotoso’s Bom Boy.” Research in African Literatures 46.2 (2015): 119-145.

“A ‘Touch of Africa’: Liberal ‘Bildung’ through an Encounter with African Immigrants in Andrew Brown’s Refuge.” Scrutiny2 20.1 (2015): 128-146. DOI: 10.1080/18125441.2015.1039052

“Towards an ‘Afropolitan Deixis’: Hospitality and ‘You’ and ‘We’ Narration in Phaswane Mpe’s Welcome to Our Hillbrow.” English Studies in Africa 57.2 (2014): 98-114. DOI: 10.1080/00138398.2014.963287

“‘Opening up to the Rest of Africa’?: Continental Connections and Literary (Dis)Continuities in Simão Kikamba’s Going Home and Jonathan Nkala’s The Crossing.” Journal of Literary Studies 30.1 (2014): 70-93. DOI: 10.1080/02564718.2014.887623

For a full list, please see https://up-za.academia.edu/RebeccaFasselt

 

Lecturer
Dr JA Goedhals

BA (Hons) (Rhodes) MA (Wits) DLitt (UP)

Humanities 16-30

Tel: +27 12 420 2421 or x3985
E-mail:
[email protected]

OrcID: https://orcid.org/0000-0002-5853-801X

Dr Antony Goedhals, BA (Hons) (Rhodes) MA (Wits) DLitt (UP), is a lecturer in the Department. His teaching and research interests include Anglo-Saxon literature; Medieval literature, particularly Chaucer; the history of the novel, with especial reference to Daniel Defoe; William Blake; Victorian literature and cultural history – particularly the Anglo-American encounter with Buddhism; Lafcadio Hearn; Modernism – especially the novels of Joseph Conrad and the poetry of W. B. Yeats and Wallace Stevens; the novels of J. M. Coetzee. He has completed a PhD on the Victorian writer Lafcadio Hearn, which will be published by Brill in July 2020:

.

Recent Publications/Papers

Goedhals, J. Antony. 2018. Auctour and Auctoritee in Chaucer’s The Book of the Duchess. 

Studia Neophilologica. doi:10.1080/00393274.2018.1465848 

Goedhals, J. Antony. 2017. ‘Revisioning Reality: Transcending Space and Time in the Buddhist Writings of Lafcadio Hearn’. Scrutiny2: Issues in English Studies in Southern Africa, 22:2, 96-111.

Goedhals, J. Antony. 2015. ‘Lafcadio Hearn's odyssey: a home at the end of the world’. Scrutiny2: Issues in English Studies in Southern Africa, 20:1, 39-53.

Goedhals, J. Antony. 2013. Lafcadio Hearn and George Gould’s ‘Philosophy of Spectacles’: the story of a Buddhist–Christian encounter. In Nicéphore, Anastasia & Brooks, David (eds).  Diasporic Identities and Empire: Cultural Contentions and Literary Landscapes (pp. 199 – 212). Newcastle: Cambridge Scholars.

Goedhals, J. Antony. ‘Lafcadio Hearn’s Buddhism: Glimpses of a Secular Salvation’. Paper presented on 10 July 2013 at the AUETSA conference. Grahamstown, South Africa.

Dr C Lavery

Lecturer

BA Hons UCT, MSt Oxford, DPhil Oxford

Humanities 16-6

Tel 012 420 2421

Email: [email protected]

Orcid ID: https://orcid.org/0000-0002-9907-4143

Charne Lavery, BA Hons UCT, MSt Oxford, DPhil Oxford, is a lecturer in the Department of English at the University of Pretoria and researcher on the Oceanic Humanities for the Global South project based at the Wits Institute for Social and Economic Research (WISER), University of the Witwatersrand (www.oceanichumanities.com). She explores literary and cultural representations of the deep ocean, the Indian Ocean, and the Southern Ocean and Antarctic seas, researching oceanic underworlds of the global South from a postcolonial-ecological perspective. She is the South African Humanities and Social Sciences delegate to the international Scientific Committee on Antarctic Research (SCAR), co-editor of the Palgrave series Maritime Literature and Culture, and has recently published articles on ‘The Oceanic South’ and ‘Antarctica and Africa’.

Research interests

Postcolonial and colonial literature and theory, Ecocriticism, Oceanic humanities, Indian Ocean studies, African literature, Indian literature, Antarctic humanities, Global South studies, transnationalism

Recent publications

‘Lascars, Drifters, Aquanauts,’ in Margaret Cohen (ed), A Cultural History of the Sea in the Age of Empire, Bloomsbury, forthcoming 2019

‘Wakanda Phambili: African Science Fiction Prototyping for Reimagining the Anthropocene’ co-authored with Laura Pereira, Busiso Moyo, Nadia Sitas, Rike Sitas, Odirilwe Selomane, Christopher Trisos, Olive Zgambo, for Futures, Oxford University Press, forthcoming 2019

‘Thinking from the Southern Ocean’ for Sustaining the Seas, eds Kate Johnson and Elspeth Probyn, Rowan and Littlefield Publishers, forthcoming 2019

‘The Oceanic South’ with co-author Meg Samuelson for ‘Hydro-Criticism’ special issue of English Language Notes, 57:1, April 2019

‘The Indian Ocean meets the South Seas: Abdulrazak’s Gurnah’s Desertion and Robert Louis Stevenson’s Beachcombers,’ Wasafiri: A Journal of Postcolonial Studies, 89, 2017

‘Drift’ in Pamila Gupta and Gabrielle Hecht (eds), ‘Toxities, Waste and Detritus’, special issue of Somatosphere, Dec 2017

‘”The Darker Side of Durban”: South African Crime Fiction and Indian Ocean Underworlds’, Journal of Southern African Studies, 42:3, 2016

‘Outsides and Outsiders: Environmental Critique in Leonard Woolf’s The Village in the Jungle and Romesh Gunesekera’s Reef’, Journal of Commonwealth Literature, 50:1, 2015

‘White-washed Minarets and Slimy Gutters: Abdulrazak Gurnah, Narrative Form and Indian Ocean Space’, English Studies in Africa, 56:1, 2013

Dr N Moonsamy

Senior Lecturer

BADA (Wits), MA (University of Poona, India), MA (Wits), Ph.D (Wits).

Humanities 16-23

Tel: (012) 420-4598 

[email protected]

OrcId: 0000-0003-1052-5989

Dr Nedine Moonsamy is interested in a host of areas that include literary theory, postcolonial literature, cultural studies, photography, film and science fiction in Africa. She is  currently working on a monograph on contemporary South African fiction and also conducts research on Science Fiction in Africa. Her second project considers how African authors adapt the genre to suit the continent, its sociopolitical complexities and the nuances of its varying cultural milieus. Her debut novel, The Unfamous Five is published by Modjaji Books (2019).

Research Areas:

Contemporary african literature, nostalgia studies, nationalism, post-apartheid, whiteness, time, temporality, memory, postcolonialism, apocalypse, science fiction, race, gender, utopia, dystopia, futurity, ecology, afrofuturism, technicity.

Recent Publications:

see https://up-za.academia.edu/NedineMoonsamy

Mr Georg Nöffke

Lecturer

BA, BA (Hons), MA (Pretoria)
Humanities 16-11

Tel 012 420 2421

Email: [email protected]

OrcId: https://orcid.org/0000-0002-4030-1268

Mr Georg Nöffke, BA (Hons), MA (Pretoria) is interested in twentieth-century and contemporary literature, Modernism, intertextuality, and the work of Ted Hughes, Sylvia Plath and J.M. Coetzee in particular. He has recently completed his  MA cum laude which focuses on the intertextual dialogue between Ted Hughes and Sylvia Plath in selected poems.  

Research areas:

Ted Hughes, Sylvia Plath, contemporary literature

Some recent publications and papers:

“‘That gallop was practice’: a horse ride as practice run for things to come in Sylvia Plath’s ‘Whiteness I remember’ and Ted Hughes’s ‘Sam’.” English Academy Review, 30: 2, October, 2013, pp. 6-20.

“These super people: the superimposition of Ted Hughes's ‘Brasilia’ on Sylvia Plath's ‘Brasilia’.” Paper presented at Sylvia Plath Symposium, University of Indiana, 2012.

Dr I Noomé

Senior Lecturer

BA (Hons) MA (Pretoria) HED (Unisa) DLitt (Pretoria)

Humanities 16-29
Tel: +27 12 420 3379 / 2421
E-mail:
[email protected]

orcid: 0000-0002-9405-3685

Linkedin: https://www.linkedin.com/in/idette-noome-70578319/

Dr Idette Noomé, BA(Hons) MA(Pretoria) HED(Unisa), DLitt (Pretoria) is a lecturer in the Department. Her MA was entitled Milton's Paradise Lost and Paradise Regained and Klopstock's Messias: A Comparative Study. Her interests include Anglo-Saxon, Middle English, 17th century literature and modern drama. She focuses on comparative literature, translation and specialist editing, for which she has developed under- and postgraduate courses. She is also very interested in children's literature, and has initiated a research project on late 19th and early 20th century children's literature at the Sammy Marks Museum. Her DLitt was entitled Widening readership - A case study of the translation of indigenous law.

Research areas:

Translation studies, plain language, children's literature (L.M. Montgomery, Louisa May Alcott, late 19th and early 20th century literature for girls), Milton, Chaucer

Recent papers and publications:

Noome, Idette. (2018). "The nature of the beast: Pets and people in L.M. Montgomery’s fiction", in L. M. Montgomery and the Matter of Nature(s), Edited ny R. Bode & J. Mitchell, McGill-Queen's University Press.  

Noome, Idette. (2018). "Re-membering local African history – translating the biography of Muhlava I              of the Vankuna into English." JLS, 34(3):36-56.

Noome, Idette. (2016). "The Marula Tree on the Boundary: Inclusive translation?" 7th Triennial ACLALS conference (Association for Commonwealth Literature and Language Studies, 10-15 July 2016, University of Stellenbosch.

Noome, Idette. (2016). "Translating the Crucifixion: The Dream of the Rood.”  23rd International conference of the Southern African Society for Medieval and Renaissance Studies, 25-28 August 2016, Mont Fleur, Stellenbosch, Imagining Transformation in the Middle Ages and the Renaissance.

"Justice for all? Accountable translations of texts on indigenous law." International Journal for African Renaissance Studies, 2015, 10(2).

“What the little Markses knew about Africa.” English Academy Review, 2006, 23(1): 84-101.

“Top dogs and underdogs: insiders and outsiders in selected girls’ school literature.” Children’s Books and Child Readers, Constructions of Childhood in English Juvenile Fiction. Bimberg, C & Kullmann, T. (eds). Aachen: Shaker Verlag. ISBN 703-8322-5382-3. Pp.115-143. 2006.

(with P.J.H. Titlestad) “D.H. Lawrence at the University of Pretoria.” In D. H. Lawrence Around the World: South African Perspectives (ed. J Phelps). Echoing Green Press. ISBN: 978-0980250114. 2007.

“The language editor/supervisor dilemma.” AUETSA conference: Rebranding English. (Proceedings). UCT Press. (2004):67-75.

“Shaping the Self: A Bildungsroman for girls?” Literator, 2004, 25(2) August, pp. 125-149.

(translation). Machens, Eberhard W. 2009. Platinum, Gold and Diamonds: The Adventure of Hans Merensky’s Discoveries. Pretoria: Protea Book House. ISBN 987-1869-200-6. (Biography, 308 pp).

 

Lecturer

Mr M Nthunya

BA (Hons), MA (Rhodes)

Humanities 16-31

Tel 012 420 2421

Email: [email protected] 

OrcId:  https://orcid.org/0000-0001-9066-2515

Mr Manosa Nthunya is interested in South African literature, postcolonial literature, Queer Studies, Psychoanalysis and Literary Studies. He is currently completing his PhD entitled "A Place Called Home: History, Trauma and Gender in Contemporary South African Fiction". He has pulished on the work of K. Sello Duiker and is a book reviewer at the City Press.

Research Associate

Prof Dr Dr Dr R West-Pavlov

MA (Melb) PhD (Cantab) Doctorat (Lille III) Dr Habil (Cologne)

Email: [email protected]

OrcId: 0000-0002-6372-4941

Prof Russell West-Pavlov, MA (Melb) PhD (Cambridge) Doctorat (Lille III) Dr Habil (Cologne), taught at the University until the middle of 2013. He is currently at the University of Tübingen, but remains a research associate of the Department.

Research areas:

Postcolonial literatures, spatial semiotics, translation studies

 
Recent publications:

'Contextures: inscriptions of urban space in inner-city Berlin.' Space and Culture, 2013, 16:3, pp. 323-344. 

'The politics and spaces of voice: Ngugi’s A grain of wheat and Conrad’s Heart of darkness.' Research in African Literatures, 2013, 44:3 (Fall), pp. 160-175.

Temporalities. The New Critical Idiom Series. London and New York, Routledge. ISBN: 978-0-415- 52073-7. 2013.

Treasure, value and signs in Conrad’s Nostromo. In Rainer Emig (Ed). Treasure in Literature and Culture. Universitatsverlag, WINTER: Heidelberg. ISBN 978-3-8253-6202-7. 2013.

Temporalities. London: Routledge, 2012.

Spaces of Fiction / Fictions of Space: Postcolonial Place and Literary DeiXis. Basingstoke: Palgrave Macmilllan, 2010.

“Pedagogical Memory and the Space of the Classroom: Reading Dangarembga’sNervous Conditions”. Scrutiny2: Issues in English in Africa 17:2 (2012): 67-81.

"Maps and the Geography of Violence: Farah’s Maps and Conrad’s Heart of Darkness”, in The New Violent Cartography: Geo-Analysis after the Aesthetic Turn. Ed. Samson Okoth Opondo & Michael J. Shapiro. New York: Routledge, 2012: 15-32.

 
“Time and Biopolitics in the Settler Colony”. Australian Literary Studies 26:2 (June 2011), 1-19.

 

Prof. A. Chennells

  

Professor Anthony Chennells, an internationally renowned scholar of African literature, has been appointed an Extraordinary Professor in the Department of English since 2004. Prof Chennells taught until his retirement at the University of Zimbabwe. He is also a visiting scholar and research associate at the University of California at Santa Cruz.

Research areas:

Colonial and Postcolonial literatures, the British novel

Some recent publications:

"Historical novel or novel history? Michael Cawood Green's For the Sake of Silence.” English Academy Review, 29(1), May 2012, pp. 33-45.

“Inculturated Catholicisms in Chimamanda Adichie's Purple Hibiscus.” English Academy Review, 26(1), June 2012, pp. 265-276.

“Savages and settlers in Dickens: reading multiple centres.” In Jordan & N. Perera (eds.), Global Dickens, Farnham (UK) and Burlington (US): Ashgate (pp. 311-330). 9781409436119. 2012.

“Partisan politics: narrative realism and the rise of the British novel.” Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 148-149.

“Nationalism, memory and history in nineteenth-century Britain: a review essay." Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 86-91.

“Imperialism, reform and the making of Englishness in Jane Eyre.” Heythrop Journal, A Quarterly Review of Philosophy and Theology, 2011, pp. 152-153.

“Inculturated Catholicism’s in Chimamanda Adichie’s Purple Hibiscus.” English Academy Review. 26(1). 2009, pp. 15-26.

 

Mr Dewald Steyn

 

 

 

 

 

 

BA (Hons) MA (English) (Pret)

Humanities 16-27

Tel 012 420 2421

OrcId: 0000-0002-5519-512X

Mr Dewald Steyn obtained his Honours degree in 2011 at Pretoria. For the degree, he completed a mini-dissertation on the poetry of John Clare entitled The Romantic Escape Artist: Yearnings for freedom in the asylum poetry of John Clare. He completed his MA thesis, entitled "The Tyrant of the Imagination”: Anthropomorphic representations of Death in selected contemporary and twentieth-century novels, in 2016 cum laude. He is currently completing his doctorate on the poetry of the Victorian author George Meredith. As an aspiring poet(aster), he maintains an interest in poetry of all types, whether free verse or more traditional metrical forms, and has also published his work in New Contrast.

Research areas:

Nineteenth-century literature and literary criticism, poetics, speculative fiction, creative writing, Romanticism

Recent publications and papers:

Journal Articles

Steyn, D. M. 2017. “Looking at the Dark Sun: Aspects of Death, War and the Power of Stories in Markus Zusak and Terry Pratchett’s Novels,” Mousaion, 35(2), pp. 28–40.

Creative Writing

Steyn, D.M. 2015. “Thomas Lovell Beddoes (1803 – 1849)”. New Contrast. Vol. 42, no.2.

Conference Papers

Steyn, D.M. 2017. “A Folie à Deux or Ménage à Quatre? Psychological Breakdown in George Meredith’s Modern Love Sonnet Sequence”. SAVAL conference, 17-18 August , UNISA, Pretoria.

Ms Kirsten Dey

 

 

 

 

 

 

 

BA Hons, MA (English) (Pret)

Humanities 16-12

Tel 012 420 2421

OrcId: http://orcid.org/0000-0002-5842-1380

Ms Kirsten Dey, BA Hons, MA (Pretoria), is interested in a variety of areas that include Renaissance literature, specifically Shakespeare’s work, Romantic poetry, the work of Emily Dickinson and Walt Whitman, Modernism, and South African short stories. She was awarded the Vice-Chancellor and Principal's medal for the Humanities in 2014. For her Honours degree, she completed a mini-dissertation which explores Shakespeare’s critical engagement with the Elizabethan cult of Petrarchism in his ‘Dark Lady’ sonnets. She completed her MA on Shakespeare’s varying responses to Petrarchism across his works cum laude and is working on a PhD on TS Eliot.

Ms Marieke Krynauw

 

 

 

 

 

 

BA, BA Hons (English) (Pret)

Humanities 16-5
Tel 012 420 2421

OrcId: 0000-0003-2050-9827

Ms Marieke Krynauw, BA, BA Hons (English) MA (English) (Pret), is interested in a wide variety of areas, including contemporary children’s and adolescent literature, Modernism, and literary representations of spatiality. For her Honours degree, she completed a mini-dissertation which explored liminality and liminal spaces in selected works by David Almond. She has completed cum laude an MA on the representation and production of sacred space in David Almond’s novels, and is currently working on a PhD on Virginia Woolf.

Full CV

Ms Michal-Maré Linden

BA (Music), BA (Hons) (English), MA (English) Pret

Humanities 16-5
Tel 012 420 2421
 

Ms Michal-Maré Linden, BA (Music), BA (Hons) (English), MA (English) Pret, has a number of research interests including contemporary media forms, such as newspapers, magazines and social media, African literature and literature by and about women. She also loves current news, politics and studies around protest.  She completed her mini-dissertation titled "The Y-connection: A comparative study of Todd Matshikiza’s music journalism in Drum and the music journalism of Y-Mag as representative of urban cultures in transition" in 2015.  Her MA was inspired by her time as Editor at the campus newspaper and is titled "Narrating the 2015 Fees Must Fall movement: explanations, contestations, and forms of meaning-making in the public sphere". She is currently working on a PhD about the narratives surrounding violence against women on South African university campuses.

OrcID: https://orcid.org/0000-0002-9151-161X

 
Ms Suzanne Jacobs
BA, BA Hons, MA (English) (Pretoria)
Humanities 16-4
Tel 012 420 2421
 
Miss Harriet Bentley 

BA, BA Hons (English) (Pretoria)

Humanities 16-12
Tel 012 420 2421

Miss Harriet Bentley, BA, BA Hons (English) (Pret) has an interest in a variety of areas including contemporary Fantasy novels, English Romance, Jane Austen, and has a deep and undying affection for the works of Douglas Adams. Her Honours mini-dissertation is entitled "Buried Romance in the Buried Giant: Romance tropes in The Buried Giant by Kazuo Ishiguro". She is currently working on her MA on female representation in the fantasy series of Ursula Le Guin and Tamora Pierce. 

Ms Nicole Best

 

 

 

 

 

 

BA (Languages and Literature), BA (English Hons) (Pretoria), MA (Pret)

Humanities 16-4
Tel 012 420 2421

Ms Nicole Best, BA (Languages and Literature), BA (English Hons) (Pretoria), is interested in diverse areas which include genre fiction, specifically science fiction and fantasy; classical Greek literature and its abiding influence on contemporary literature and culture; the intersection of the equally-foreign countries of contemporary science fiction and classical literatures; adaptation, originality, and intertextuality; representations of gender and sexuality; feminist theory; and canonicity. She also maintains a keen interest in creative writing and literary theory, and has published her poetry in New Contrast.

For her Honours degree she completed a mini-dissertation entitled Troy to Marthatown: the adaptation of selected Trojan plays by Euripides in Sheri S. Tepper’s The Gate to Women’s Country. More recently, she was awarded an Andrew W. Mellon Foundation scholarship for her MA research, which pertains to the human face and cost of inequalities and involves science fiction texts by Sheri S. Tepper, Ursula Le Guin, and Margaret Atwood and their feminist adaptations of classical Greek texts by Euripides, Virgil, and Homer.

Research areas:

Science fiction, classical Greek literature, reception studies, adaptation and originality, feminism, canonicity.

Recent publications and papers:

Articles

Best, Nicole. 2018. "Disarming the Canon: Exploring Tepper’s Rewriting of Euripides." JLS (in press).

Creative Writing

Best, N. 2017. “Aqua Vitae”. New Contrast. Vol. 45, no. 1, September 2017.

Best, N. 2017. “Aspirations”. New Contrast. Vol. 45, no. 1, September 2017.

Conference Papers

Best, Nicole. (2017). “‘Men like to think well of themselves, and poets help them do it’: exploring Tepper’s rewriting of Euripides.” SAVAL conference, 17-18 August 2017, UNISA, Pretoria.

Ms Liesl de Wet

 
 
 
 
 
 
 

BA Hons (English) (Pret), Dip TESOL (Trinity College London) 

Humanities 16-27
Tel 012 420 2421

Ms Liesl de Wet,  BA Hons (English) (Pret), Dip TESOL (Trinity College London) is interested in  TESOL methodology and practice, Modernism, and Post-modernism, especially dystopian novels. She is currently working on an MA discussing the dystopian elements in a selection of Philip K. Dick's novels.

 

Miss Jana Muller

 

 

 

 

 

 
 

BA (Visual Studies), BA Hons (English) (Pretoria)

Humanities 16-27
Tel 012 2421
 

 

Miss Jana Muller, BA, BA Hons (English) (Pret) is interested in a variety of areas, focussing on postcolonial literature and the development and understanding of postcolonial identity in India and South Africa. Her Honours mini-dissertation is entitled "Hybrid Identity in Arundhati Roy's The God of Small Things". She is currently working on her MA on post-independence myths in Indian and South African women’s writing. 

Prof J A Wessels (Professor) Emeritus

BA (Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA


OrcId: 0000-0001-9257-560X

Professor Andries Wessels, BA(Hons) (UFS) MPhil (Oxford) DLitt et Phil (Unisa) CELTA (Cambridge) is particularly interested in modernism and modern literature (in particular the work of James Joyce and TS Eliot), Irish literature, comparative literature and translation. His MPhil studies focused on the Modern Period (1880-1960), and his DLitt et Phil was entitled Decadence and resilience: the aristocratic novel in English in the Twentieth Century.

Research areas:

Modernism, issues of national and cultural identity, Irish literature, translation

Some recent publications and papers

2017: By die Afskaffing van Afrikaans as universiteitsvoertaal 2016/2017, poem, published on Litnet, 16 March 2017. https://www.litnet.co.za/die-afskaffing-van-afrikaans-universiteitsvoertaal-20162017

“Compromising genre in Agatha Christie’s South African detective novel, The Man in the Brown Suit”, Journal of Literary Studies, 33(1), March 2017, pp 1-23.                

"Paris as ‘unreal city’: Modernist conceptions in Michiel Heyns’s Invisible Furies",Tydskrif vir Letterkunde, 54 (1), 2017, March 2017, pp. 96-110.

2016: “Cultural polarities in Frances Hodgson Burnett’s children’s books”, Mousaion, 34 (2), November 2016, pp. 67-82.

2014: Familiesonnette, three poems, published in New Contrast, Vol 42:1, 2014, pp.26-27.

“The public, the private and the power of love: decisive tensions in Michiel Heyns’s The Children’s Day”, English in Africa, 39(1), May 2012, pp. 57-72.

“Intertekstualiteit en modernistiese kompleksiteit in Henriette Grové se Linda Joubert-romans”, Tydskrif vir Letterkunde, 48(2), Spring, 2011, pp. 5-22.

“The outsider as insider: the Jewish-Afrikaans poetry of Olga Kirsch”, in Prooftexts [an American journal of Jewish Studies] 29, 2009, University of Indiana, pp. 63-85.

'‘Human kind cannot bear very much reality: Modernist perceptions of time and experience,” inaugural lecture (Chair of English), University of Pretoria, 24 March 2009.

“Die problematisering van die etiese: Deon Meyer se Infanta as ‘hard-boiled’ misdaadroman”, Tydskrif vir Letterkunde, 44(2), Pretoria, Spring 2007, pp. 104-118.

“Marlene van Niekerk se Agaat as inheemse ‘Big House’-roman”, Tydskrif vir Letterkunde,43(2), Pretoria, Spring 2006, pp. 31-45.

“Resolving history: negotiating the past in Molly Keane’s Big House novels”, in Molly Keane: Centenary Essays, edited by Eibhear Walshe and Gwenda Young, Four Courts Press, Dublin, Ireland, 2006:27-35.

 

Published by Idette Noome

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